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Titlebook: Of Essence and Context; Between Music and Ph Rūta Stanevi?iūt?,Nick Zangwill,Rima Povilionien? Book 2019 Springer Nature Switzerland AG 201

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書目名稱Of Essence and Context
副標(biāo)題Between Music and Ph
編輯Rūta Stanevi?iūt?,Nick Zangwill,Rima Povilionien?
視頻videohttp://file.papertrans.cn/701/700629/700629.mp4
概述Examines the ideas of essence and context as they apply to music.Combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cogn
叢書名稱Numanities - Arts and Humanities in Progress
圖書封面Titlebook: Of Essence and Context; Between Music and Ph Rūta Stanevi?iūt?,Nick Zangwill,Rima Povilionien? Book 2019 Springer Nature Switzerland AG 201
描述.This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer’s and listener’s perceptions.?.In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy.?.This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, l
出版日期Book 2019
關(guān)鍵詞Aesthetic Turn; Interdisciplinarity; Musical Work and Performance; Musicology; Negotiating Essentialism
版次1
doihttps://doi.org/10.1007/978-3-030-14471-5
isbn_softcover978-3-030-14473-9
isbn_ebook978-3-030-14471-5Series ISSN 2510-442X Series E-ISSN 2510-4438
issn_series 2510-442X
copyrightSpringer Nature Switzerland AG 2019
The information of publication is updating

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Essence Facilitating Plurality: Theorizing Art with Schellingtemporary debates. Whereas idealism and essentialism are often associated with static and unduly mentalist definitions of art, Schelling offers a complex framework which can accommodate for plurality and development. The synthetic power of the imagination to constitute the unity of the artwork is hi
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Aristotle Meets Schumann: Essence and Geistrealizable, guide his answers. They support his concept of “psuchē”, an essence that shapes, animates, explains and unifies a living being. Schumann’s notion of “Geist” serves likewise for a musical work and echoes Aristotle’s “psuchē”. Neither resembles essentialism as usually understood. They can
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Deleuze, Ruyer, and Musical Morphogenesisural phenomena, such as birdsongs. Following Jacob von Uexküll, Deleuze and Guattari argue that a refrain is an assemblage connecting a biological being and its milieu, and the appropriation of this milieu by specific practices of deterritorialization. Deleuze and Guattari also refer to Raymond Ruye
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