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Titlebook: Odd Bodies and Visible Ends in Medieval Literature; Sachi Shimomura Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2006 E

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發(fā)表于 2025-3-21 17:42:50 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Odd Bodies and Visible Ends in Medieval Literature
編輯Sachi Shimomura
視頻videohttp://file.papertrans.cn/701/700597/700597.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Odd Bodies and Visible Ends in Medieval Literature;  Sachi Shimomura Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2006 E
描述This study traces how medieval audiences judge bodies from Doomsday visions to beauty contests. Employing cultural and formalist approaches, this study breaks new ground on the historical obsession about ends and changes, reflected in different genres spanning several hundred years.
出版日期Book 2006
關(guān)鍵詞England; English literature; Jesus Christ; literature; medieval literature; metaphor; Middle Ages; time
版次1
doihttps://doi.org/10.1007/978-1-137-10521-9
isbn_ebook978-1-137-10521-9Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2006
The information of publication is updating

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沙發(fā)
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Book 2006This study traces how medieval audiences judge bodies from Doomsday visions to beauty contests. Employing cultural and formalist approaches, this study breaks new ground on the historical obsession about ends and changes, reflected in different genres spanning several hundred years.
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Odd Bodies and Visible Ends in Medieval Literature978-1-137-10521-9Series ISSN 2945-5936 Series E-ISSN 2945-5944
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發(fā)表于 2025-3-22 19:21:07 | 只看該作者
2945-5936 this study breaks new ground on the historical obsession about ends and changes, reflected in different genres spanning several hundred years.978-1-137-10521-9Series ISSN 2945-5936 Series E-ISSN 2945-5944
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Conclusion: Romance Ends, or Transforming Closure in ,demarcated, separable physical presence. Yet even there, she grounds those other lives—those other selves through time—in the idea that she herself exists at their root; on some level, they have always been the “same”: all, in the end, spring directly from her and share a unified judgment.
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發(fā)表于 2025-3-23 06:55:38 | 只看該作者
,“Unto Hir Lyves Ende”: Time and the Wife of Bath’s Remembered Bodies, defined in Christian eschatological terms, at which all will be publicly revealed. The works that encompass such vantage points are teleological in the sense that they approach that end and the concomitant crystallization of Judgment inexorably—without delay or evasion.
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