Titlebook: Ocular Proof and the Spectacled Detective in British Crime Fiction; Lisa Hopkins Book 2023 The Editor(s) (if applicable) and The Author(s)

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薄膜

Out of Focus: Ariadne Oliver visual aids. In six of the Poirot books, however, he has a sidekick who does: Mrs Ariadne Oliver, Christie’s playful metafictional projection of her own authorial persona, whose irritated impatience with her Finnish detective Sven Hjerson parodies Christie’s own attitude to Poirot. Mrs Oliver wears

epicondylitis

Lobotomy

indenture

The Man with the Monocle: Lord Peter Wimseye body in the bath is wearing only a pair of pince-nez, and many characters in the books are introduced to the reader with descriptions of what they wear on their eyes (the first thing that anyone notices about Lord Peter himself is his monocle). Detection is always a visual act for Wimsey, who sees

instate

小卒

Seeing Double: Inspector Alleynwhere it becomes identified with his role as a detective. In ., Alleyn, arriving as a guest at a country house at Christmas without any of his usual kit, finds himself unwillingly trapped in the role of investigating officer and asks his host, ‘Have you got a lens?’ In ., too, a lens is understood a

傾聽

The Double Vision of Dornford Yateshem Yates’ two series of books investigate English nationalities and identities, with Ruritania commenting on England and both series foregrounding the extent to which the affairs of a nation can be affected by the action of individuals. This chapter compares Yates to John Buchan and Eric Ambler in

GORGE

Conclusionhilosophies of the books in which they appear. Crime fiction is typically an insecure genre, nervous about its cultural status, its readers, and its moral purpose. Ariadne Oliver’s unfocused gaze, the blindness of Max Carrados, Father Brown’s sensitivity to the invisible, Wimsey’s monocle, Campion’s

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