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Titlebook: Nostalgia and Recollection in Victorian Culture; Ann C. Colley Book 1998 Ann C. Colley 1998 Charles Darwin.corpus.culture.England.exile.ex

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發(fā)表于 2025-3-21 17:21:26 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Nostalgia and Recollection in Victorian Culture
編輯Ann C. Colley
視頻videohttp://file.papertrans.cn/669/668201/668201.mp4
圖書(shū)封面Titlebook: Nostalgia and Recollection in Victorian Culture;  Ann C. Colley Book 1998 Ann C. Colley 1998 Charles Darwin.corpus.culture.England.exile.ex
描述This book is about a group of Victorian British writers and artists (Darwin, Stevenson, Gaskell, Ruskin, Pater, Brown and Turner) whose work emerges from recollection and whose texts embody the experience of nostalgia. The study concentrates on the longing for a past that traverses the span of these writers‘ and artists‘ own lifetime. It examines their particular experience of the nostalgic moment and provides an occasion to re-examine the idea of nostalgia and to reflect on the act of recollection.
出版日期Book 1998
關(guān)鍵詞Charles Darwin; corpus; culture; England; exile; experience; Henri Bergson; idea; John Ruskin; landscape; Narr
版次1
doihttps://doi.org/10.1057/9780230373112
isbn_softcover978-1-349-40620-3
isbn_ebook978-0-230-37311-2
copyrightAnn C. Colley 1998
The information of publication is updating

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Nostalgia and the Voyage of the familiar with the voyage’s particulars know, the ocean passage was not always smooth. Darwin suffered from seasickness. No matter how frequently he willed himself to endure the rougher weather, to center his thoughts on the future and honor his ‘a(chǎn)mbition to take a fair place among scientific men’,
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The Landscape of he absorbing spaces of his childhood and attempted to re-enter their flexible and synthetic landscape. Nostalgic for this prospect, he not only re-engaged the play, the vicarious violence, and the places of his early years but also began composing . (1885).. These poems offered him a sanctuary that
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R.L. Stevenson and the Idea of Recollectionmore than usually conscious of this indispensable companion is Robert Louis Stevenson who, because of his sensitivity to the subject, frequently punctuated his nostalgic passages with commentaries on the nature of remembrance. His remarks allow one not only to reflect upon the moment of recollection
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From the Vignette to the Rectangular: Bergson, Turner, and Remembrancenson, in his essays and poems; John Ruskin, in his autobiography; and Walter Horatio Pater, in his portrayal of the child, turn away from the immediate moment and set out to reach the dwellings and the landscape of their youth. Their words swivel the arrow of attention so it no longer revolves in th
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Afterthoughts: Nostalgia and Recollection they appear. Such a listing may offer the reader an opportunity to reflect more generally upon the experience of nostalgia. If one detaches these thoughts from their specific surroundings, what seems applicable to a particular instance — to events in the lives of Gaskell’s protagonists or to moment
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