Titlebook: North American Critical Theory After Postmodernism; Contemporary Dialogu Patricia Mooney Nickel (political sociologist, Ass Book 2012 Palgr

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Epilogue,er to move beyond the confusing array of false binaries that followed in its wake: Marxism/post-Marxism, Marxism/postmodernism, essentialist/post-Marxist, ideology/language, class/subject, Marx/Foucault, Marx/Derrida, to name only a few. As the scholars in this volume demonstrate, one can read both

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lustrations vii The French seventeenth century remains at the present moment one of the few areas in the history of later western art which still needs intensive study. Even the work of Pous- sin, its most outstanding painter and the object of a continu- ous stream of encomiums stretching back to hi

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Timothy W. Lukeists on one occasion or another is an invention of Paul Watzlawick. I met my inventor for the first time more than ten years ago in Cali- fornia. My services to the University of Illinois, after about 30 years, had come to an end, and I was looking for a place where my wife and I could retire and sp

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Seyla Benhabib in New York City’s lavish Waldorf Astoria Hotel. Its purpose was to announce the publication of what the . dubbed a “l(fā)iterary leviathan.” That monster was the 54-volume .—the set that by 1965 would fill living rooms and dens at an annual rate of 50,000 units sold and gross annual revenues of approx

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