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Titlebook: Nonstationarities in Hydrologic and Environmental Time Series; A. Ramachandra Rao,Khaled H. Hamed,Huey-Long Chen Book 2003 Springer Scienc

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41#
發(fā)表于 2025-3-28 16:41:10 | 只看該作者
A. Ramachandra Rao,Khaled H. Hamed,Huey-Long Chen and teaching, an example of which is presented in the book..Two central themes of the book are the methodology of TR/NYCity model and creativity, more ?precisely, creativity ?of ?the ?Aha ?moment formulated by Arthur Koestler (1964) in a very profound but little known theory of bisociation exposed in his wor978-94-6300-549-4
42#
發(fā)表于 2025-3-28 20:47:49 | 只看該作者
43#
發(fā)表于 2025-3-29 00:36:44 | 只看該作者
44#
發(fā)表于 2025-3-29 04:59:54 | 只看該作者
A. Ramachandra Rao,Khaled H. Hamed,Huey-Long Chenaken in the light of the relational theory of society: the development of creativity cannot beconceived outside of self-other relations..This book is the result of a translation done with the help of artificial intelligence. The text has subsequently been revised further by a professional copy edito
45#
發(fā)表于 2025-3-29 08:51:30 | 只看該作者
46#
發(fā)表于 2025-3-29 13:03:56 | 只看該作者
47#
發(fā)表于 2025-3-29 19:23:59 | 只看該作者
A. Ramachandra Rao,Khaled H. Hamed,Huey-Long Chen nature of feedback. Results show that peer feedback can indeed improve both the quality of a song composition and the composer’s satisfaction about it. Also, composers tend to prefer compositions from other musicians with similar musical experience levels.
48#
發(fā)表于 2025-3-29 20:19:56 | 只看該作者
A. Ramachandra Rao,Khaled H. Hamed,Huey-Long Chencreative process. Todd Lubart brings together a group of authors who are themselves actively involved in their respective creative fields and invites readers to adopt a broad perspective on the creative process in order to unravel some of its mysteries.?.
49#
發(fā)表于 2025-3-29 23:54:00 | 只看該作者
Nonstationarities in Hydrologic and Environmental Time Series
50#
發(fā)表于 2025-3-30 05:20:53 | 只看該作者
A. Ramachandra Rao,Khaled H. Hamed,Huey-Long Chenf a word is here at stake: This is a conversation/search, where the word arrived at cannot be said to be the last word. The constantly occurring word evokes a sense of the world—the world has to say something to us. The phenomenological way to grasp the world is to see the human world as the world of sense.
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