Titlebook: Non-Representational Theory and the Creative Arts; Candice P. Boyd,Christian Edwardes Book 2019 The Editor(s) (if applicable) and The Auth

committed

Where Does ‘Your’ Space End and the Next Begin? Non-Representational Geographies of Improvised Perfoeat these practices reductively but to highlight the ways in which an attunement to the non-representational is at the heart of the work. The chapter is infused throughout with references to philosophical thought that go only part way to elucidating what is intuitively felt and realised by performers through creative acts of improvisation.

LUDE

Creativity, Labour and Captain Cook’s Cottage: From Great Ayton to Fitzroy Gardensook’s Cottage, Edensor explores how it materially embodies a relational expression of creativity, one that has been distributed across continents and eras, but as with other elements of the built environment, a labour that is integral to the ongoing emergence of the city.

無底

Attuning to the Geothermal Urban: Kinetics, Cinematics, and Digital Elementalityhapter, Shepherd outlines a methodological approach that engages digital video to attune to and apprehend the elementality of the geothermal urban. It outlines how walking, via the concept of ., can combine with digital video technologies to produce valuable materials for orienting a researcher within geologic and urban phenomena.

BOGUS

Book 2019oing so, it fills a significant gap in the already sizeable body of non-representational discourse by bringing together images and reflections on performances, art practice, theatre, dance, and sound production alongside theoretical contributions and examples of creative writing.? It considers how c

功多汁水

Geo/Graphic Designdesigned using a geo/graphic design process. Drawing on theory and practice from cultural geography and graphic design, work of a geo/graphic nature offers the reader an individual, interactive and multisensory experience that reflects contemporary geographic conceptualisations of place.

愛哭

充滿人

Circadian Rhythms, Sunsets, and Non-Representational Practices of Time-Lapse Photographyiscussed in which the sensations and relations between one’s body, the motion of the time-lapse photographs, and the planetary movements of the sun setting and rising become entangled in a non-representational account of these bodily environmental adjustments.

Charitable

Material Conditions in the Post-Human Cityd art-historical catalysts; the terms and concepts that located and guided his art-geography practice; and contemporary art precedents that informed his methodological experimentation. The chapter culminates with documentation of the installed, resolved artwork.

Cardiac-Output

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