Titlebook: Nollywood in Glocal Perspective; Bala A. Musa Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spring

審美家

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書目名稱Nollywood in Glocal Perspective網(wǎng)絡公開度學科排名




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書目名稱Nollywood in Glocal Perspective年度引用學科排名




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書目名稱Nollywood in Glocal Perspective讀者反饋學科排名

glacial

From Nigeria Film Industry to Nollywood: Land-Marking the Growth of the New Wave Cinemaion as a significant factor in the development of an indigenous home video industry in Nigeria. It highlights some of the milestones in the evolution of the industry, as well as the challenges that have bedevilled meaningful and sustainable growth in the industry. It recommends steps to be taken toward sustainable growth in this sector.

delegate

法官

Socio-Economic Psychology of Nigeria’s Nollywood and Kannywood Film Industries themes, discourse and diffusion of both genres. It provides a comparative analysis of the etic–emic frames that contribute to the scope and limits of . and . regional, national and international embrace. It recommends steps necessary for strengthening the cultural role and impact of Nigeria’s and Africa’s burgeoning film industries.

刺耳

Sexuality and Negotiation: A Nego-Feminist Reading of , (2013)e her own stories and be the star in her own films. In this chapter, . is analysed with the consciousness that the content of the film emanates from a series of contextual realities existing in traditional Nigerian society, and indeed, the modern one, the most prominent being sexuality and conflict in marriages.

密碼

Genre Preferences Among the Benin Video-Film Audience in Nollywoodge, learning and teaching Benin values and mores, as well as relishing the heroic exploits of their forebears. The Benin video-film audience, like the larger Nollywood audience, can be said to be non-discriminatory in terms of genre preferences.

infatuation

MUMP

Corporation’s Intervention in Nollywood: A Case Study in Glocal Partnership Expectations, Issues, a implications of asymmetrical relationships and power dynamics on corporate culture and the entertainment industry. The chapter proposes ways to navigate the challenges of balancing between the, sometimes conflicting, pressures of profit-making and artistic creativity.

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ordain