Titlebook: Nineteenth-Century Poetry and Literary Celebrity; Eric Eisner Book 2009 Eric Eisner 2009 John Keats.lyric.Percy Bysshe Shelley.poetry.Brit

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紳士

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https://doi.org/10.1057/9780230250840John Keats; lyric; Percy Bysshe Shelley; poetry; British and Irish Literature

暫時(shí)休息

,Shelley’s Glamour,John Addington Symonds’s 1878 life of Shelley closes with a line of argument typical of Victorian appreciations of the poet, making the case that Shelley’s “l(fā)ife and work are indissolubly connected,” and indeed that the poet’s life rivals the poet’s work for the critic’s interest:

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硬化

ook reveals that a sophisticated, strategic and fascinated engagement with new modes of fame was central to the experiments with literary form of poets such as Byron, Keats, Shelley and Barrett Browning.978-1-349-31001-2978-0-230-25084-0

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Introduction,th powerful feelings of fascination, desire, love or horror. Besotted readers wrote fan letters, sought autographs and souvenirs, adopted the clothes and style of their literary heroes, and elevated the “homes and haunts” of famous writers into pilgrimage sites. Portraits of contemporary authors bec

流利圓滑

Hot-Flash

Keats, Lyric and Personality,. Take, for example, this version from the . . notice signed “L.,” written by “Barry Cornwall” (Bryan Waller Procter), subsequently picked up by the . (December 1821), ., and American journals, and quoted liberally elsewhere:

Predigest

s Celebrity,p by the description of him in Edward Trelawny’s 1878 .Whilst he lived, his works fell still-born from the press; he never complained of the world’s neglect, or expressed any other feeling than surprise at the rancorous abuse wasted on an author who had no readers.” Trelawny’s description in essence