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Titlebook: Nietzsche‘s Futures; John Lippitt (Senior Lecturer in Philosophy) Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Limited

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樓主: CLOG
21#
發(fā)表于 2025-3-25 04:56:08 | 只看該作者
Graham Parkessidered. Channel, floodplain and estuary ponds, as well as the Azov-Kuban estuaries, the rivers of the Azov-Kuban plain and reservoirs of the Kuban basin are the most promising for fisheries. They are the resource base for the functioning of different categories of industrial fish-farming enterprise
22#
發(fā)表于 2025-3-25 09:33:58 | 只看該作者
Keith Ansell Pearsonis led to the creation of a cascade of large reservoirs on the Volga River, which radically changed the hydrological, hydrochemical and hydrobiological regimes of water bodies and became the most significant for the ecosystems of the basin and natural landscape complexes. At the same time, as practi
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發(fā)表于 2025-3-25 11:54:27 | 只看該作者
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發(fā)表于 2025-3-25 17:12:40 | 只看該作者
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發(fā)表于 2025-3-25 20:59:37 | 只看該作者
26#
發(fā)表于 2025-3-26 01:23:37 | 只看該作者
Stendhal’s Ecstatic Embrace of History as the Antidote for Decadences on our relationship to the past: on the practices, institutions and ideas we draw from history. As the millennium nears, we stand at a crisis. We suffer from an epidemic of decadence, a disease that leaves us enervated and fragmented. Worse yet, decadence inverts our understanding of the healthful
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發(fā)表于 2025-3-26 08:11:35 | 只看該作者
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發(fā)表于 2025-3-26 10:05:12 | 只看該作者
29#
發(fā)表于 2025-3-26 16:27:51 | 只看該作者
Laughter: A Tool in Moral Perfectionism?ar reference to .); and what several commentators have recently taken to calling Nietzsche’s ‘moral perfectionism’. Though some writers have discussed laughter in Nietzsche, the attention it has been given remains relatively minimal. When laughter . discussed, it is more likely to be construed on a
30#
發(fā)表于 2025-3-26 20:51:05 | 只看該作者
Creating the Future: Legislation and Aestheticsith an exposition of this oration. This exposition is intended to demonstrate connections in the work between legislation, creation and futurity. Having established these connections, I will reopen the debate about Nietzsche’s quarrel with Wagner, relating this quarrel to the nature of aesthetics. I
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