Titlebook: New York Ricans from the Hip Hop Zone; Raquel Z. Rivera Book 2003 Raquel Z. Rivera 2003 Africa.African.African American.America.boundary e

Limbic-System

書目名稱New York Ricans from the Hip Hop Zone影響因子(影響力)




書目名稱New York Ricans from the Hip Hop Zone影響因子(影響力)學科排名




書目名稱New York Ricans from the Hip Hop Zone網絡公開度




書目名稱New York Ricans from the Hip Hop Zone網絡公開度學科排名




書目名稱New York Ricans from the Hip Hop Zone被引頻次




書目名稱New York Ricans from the Hip Hop Zone被引頻次學科排名




書目名稱New York Ricans from the Hip Hop Zone年度引用




書目名稱New York Ricans from the Hip Hop Zone年度引用學科排名




書目名稱New York Ricans from the Hip Hop Zone讀者反饋




書目名稱New York Ricans from the Hip Hop Zone讀者反饋學科排名

delusion

New York Ricans from the Hip Hop Zone978-1-4039-8167-7Series ISSN 1554-4028 Series E-ISSN 2634-520X

皺痕

Whose Hip Hop?op became synonymous with the one art form that had from its inception been most intensely identified with African Americans, namely rap. Subsequent creative developments and mass marketing strategies—which did not operate independently of each other—further intensified this identification.

某人

Sleep-Paralysis

Between Blackness and to balance two identity categories—blackness and .—that are frequently imagined to be mutually exclusive. Their strategies of negotiation have shifted during the course of hip hop’s three-decade history in response to the predominant understandings regarding cultural “entitlement” and “authenticity.”

哀求

invert

https://doi.org/10.1057/9781403981677Africa; African; African American; America; boundary element method; city; culture; hip; Hop; identity; interp

maverick

Enter the New York Ricanshe position of New York Puerto Ricans in hip hop culture must be understood within the historical context of Puerto Rican migration to New York City, their placement within the city’s racial and socioeconomic hierarchies and their relationship with African Americans and other Latinos.

杠桿

G-spot