Titlebook: New Visions of Adolescence in Contemporary Latin American Cinema; Geoffrey Maguire,Rachel Randall Book 2018 The Editor(s) (if applicable)

眼界

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KIN

figment

(Re)pairing Adolescent Masculinities: The Neo-fraternal Social Contract and the Penal State in , anddolescent rites of passage, it is only through the fictional, sensorial exploration of their queer desires that they are able to ‘re-pair’ a sense of narrative and social agency that would, otherwise, contravene Brazil’s tacit heteronormative ‘code of conduct’.

猛烈責(zé)罵

“Eu n?o sou o meu pai!”: Deception, Intimacy and Adolescence in (the) ed with the Brazilian ruling class. However, the ‘a(chǎn)ffective alliances’ (Podalsky?2011: 8) Jean develops with his family’s employees are significantly undermined by the film’s partial reproduction of a problematic, patriarchal sexual politics.

FOR

,Introduction: Visualising Adolescence in Contemporary Latin American Cinema—Gender, Class and Polite formation of on-screen teenage subjectivities, and discusses how cinematic portrayals of teenage protagonists have often conceived of adolescence as a period of both creative transition and threatening unknowability. The introduction concludes with an overview of the structure and scope of the book.

Headstrong

Visual Displeasure: Adolescence and the Erotics of the Queer Male Gaze in Marco Berger’s the work of Laura Marks (2000) and Laura Mulvey (1975), the chapter ultimately concludes that these haptic filmic techniques demand an engaged form of spectatorship, which denies a hierarchical identification with the adolescent queer subject and, instead, promotes an embodied response to the film’s presentation of non-normative sexual desire.

笨重

Young, Male and Middle Class: Representations of Masculinity in Mexican Filmdestabilised by divorce or death. As backdrop to their experiences is their status as middle- or lower-middle-class urban youths. The tightly focused filmic narratives bracket larger questions of nation-state and society, opting to stage the struggles inherent to coming of age in the neoliberal era.

motivate

Beyond Pink or Blue: Portrayals of Adolescence in Latin American Animated Filmimation is gaining ground as a cultural practice, it becomes impossible to ignore its social and pedagogical value. Ultimately, this chapter is an inquiry into the ways in which animators choose to portray Latin American adolescence, and how younger and older audiences relate to these representations.

Climate