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Titlebook: New Music and Institutional Critique; Christian Grüny,Brandon Farnsworth Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-21 16:44:58 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱New Music and Institutional Critique
編輯Christian Grüny,Brandon Farnsworth
視頻videohttp://file.papertrans.cn/666/665517/665517.mp4
概述First overview that systematically deals with institutional critique in New Music.Linking of theoretical debates with specific case studies.Involvement of scientists, musicians and curators.This book
叢書(shū)名稱?sthetiken X.0 – Zeitgen?ssische Konturen ?sthetischen Denkens
圖書(shū)封面Titlebook: New Music and Institutional Critique;  Christian Grüny,Brandon Farnsworth Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s)
描述.While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music..
出版日期Book‘‘‘‘‘‘‘‘ 2024
關(guān)鍵詞Institutional Critique; Contemporary Music; Festivals; New Music; Musical Production; Open Access
版次1
doihttps://doi.org/10.1007/978-3-662-67131-3
isbn_softcover978-3-662-67130-6
isbn_ebook978-3-662-67131-3Series ISSN 2662-1398 Series E-ISSN 2662-1401
issn_series 2662-1398
copyrightThe Editor(s) (if applicable) and The Author(s) 2024
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 20:41:41 | 只看該作者
2662-1398 Involvement of scientists, musicians and curators.This book .While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array
板凳
發(fā)表于 2025-3-22 01:46:52 | 只看該作者
地板
發(fā)表于 2025-3-22 05:53:46 | 只看該作者
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發(fā)表于 2025-3-22 10:49:06 | 只看該作者
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發(fā)表于 2025-3-22 16:05:21 | 只看該作者
Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Researchy has changed, but to show that musicological difference today is still actively produced around an entrenched set of institutional fractures, and to identify new critical questions about the political economy of music research today.
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發(fā)表于 2025-3-22 19:08:55 | 只看該作者
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發(fā)表于 2025-3-23 00:12:37 | 只看該作者
Sheltering Each Other from the Storms to Come. Why We Need to Become Allies Rather Than Critics of Ld North America, but everywhere? Do we have activist strategies and cogent arguments for those contexts? And should we not stand closer with and more emphatically support our allies within the liberal cultural institutions in operating in liberal democracies.
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發(fā)表于 2025-3-23 01:29:53 | 只看該作者
My Via Dolorosa from (Impotent) Institutional Critique to the Founding of My Own Institution, the Nouft where it does not suit. Reinholdtsen points to our global institutional instability to underscore the need for musical artists to reaffirm their importance in society in a positive light, while never compromising their artistic expression.
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發(fā)表于 2025-3-23 06:36:45 | 只看該作者
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