Titlebook: New Geographies of Music 2; Music in Urban Touri Séverin Guillard,Joseph Palis,Ola Johansson Book 2024 The Editor(s) (if applicable) and Th

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,Introduction?to the Spatiality of Popular Music: Music Geographies, Urban Tourism, Heritage Policieaphic approaches to music are varied, depending on the background of the researchers. While music has generated a substantial interest among geographers, scholars in other disciplines have also developed related spatial perspectives on music. These multiple approaches to the geographies of popular m

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Street Piano: An Instrument of Urban Change,ch as Olympic games (festivalization) also smaller size events are staged which aim predominantly at recipients’ emotions and must not necessarily have a direct economic or financial spillover effect (eventification). They are carried out by a large range of stakeholders whereby next to traditional

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Taking Music to the (Museum) Masses: Museum Engagement with the Country and Grunge Music Heritages in turn, its capacity to drive tourism. This chapter examines genre- and place-specific music tourism as it relates to two large-scale cultural institutions—the Country Music Hall of Fame and Museum and the Museum of Popular Culture—in the North American cities of Nashville, Tennessee, and Seattle,

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eems to shape the very kernel of this view, viz., that structures are .. In Section 9.2, I argue that OS has to work with a notion of structure that is meant to play two roles at once: it should be abstract enough to be independent of concrete physical systems and concrete enough to be part of the c

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Séverin Guillard,Ola Johansson,Joseph Paliseems to shape the very kernel of this view, viz., that structures are .. In Section 9.2, I argue that OS has to work with a notion of structure that is meant to play two roles at once: it should be abstract enough to be independent of concrete physical systems and concrete enough to be part of the c

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