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Titlebook: New Documentary Ecologies; Emerging Platforms, Kate Nash,Craig Hight,Catherine Summerhayes Book 2014 Palgrave Macmillan, a division of Mac

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樓主: irritants
41#
發(fā)表于 2025-3-28 18:22:43 | 只看該作者
The Evolution of Animated Documentaryisibility has been aided by mainstream cinematic feature film releases such as . (Ari Folman 2008) and . (Brett Morgen 2007) and the trailblazing use of digital animation in the BBC’s 1999 prehistoric natural history series ..
42#
發(fā)表于 2025-3-28 19:36:52 | 只看該作者
Shoot, Edit, Share: Cultural Software and User-Generated Documentary Practice There is a need to map the emergence and development of such tools, as they serve, shape and constrain the development of those forms of cultural production that are commonly labelled user-generated content (UGC).
43#
發(fā)表于 2025-3-29 01:15:25 | 只看該作者
Introduction Facebook, aging hippies gather to reminisce, share memories and in the process ‘make a documentary’ about their experiences on the beaches of Goa.. Inspired by a collection of stories collected in high-rise buildings, people from around the world send in their own images and stories to add to an In
44#
發(fā)表于 2025-3-29 07:08:05 | 只看該作者
45#
發(fā)表于 2025-3-29 07:55:38 | 只看該作者
46#
發(fā)表于 2025-3-29 12:12:08 | 只看該作者
Clicking on the World: Documentary Representation and Interactivity think of film and television documentary audiences as engaged in the act of watching and interpreting documentary texts, emerging forms of documentary created for computers, tablets, phones and iTV seem to engage the audience in profoundly different ways. No longer . spectators, audiences are invit
47#
發(fā)表于 2025-3-29 15:33:54 | 只看該作者
48#
發(fā)表于 2025-3-29 20:17:06 | 只看該作者
49#
發(fā)表于 2025-3-30 00:22:04 | 只看該作者
50#
發(fā)表于 2025-3-30 07:32:42 | 只看該作者
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