Titlebook: New Directions in the History of the Novel; Patrick Parrinder (Emeritus Professor of English), Book 2014 Palgrave Macmillan, a division of

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Defining an ‘Age of the Novel’ in the United States novel has taken up more and more space within literature, but since the early twentieth century, literature has become increasingly less important within culture as a whole, as new media, including film, radio, television and the e-world have rapidly emerged and risen to dominance..

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Between Modernism and the Postcolonial: Reading Patrick White and Malcolm Lowry in the 1970stcolonial theory and cultural studies’.. In the late 1970s and early 1980s I was a PhD student, also from a former colony, seeking intellectual capital abroad at the University of British Columbia. I also was working on the relations between the end of empire and the ‘crisis’ in English identity in

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Transporting Fiction: The Novel in a (Post)Colonial Worldthe novel; but one common and productive approach is to explore how the genre has travelled and thrived outside its ‘natural’ European home. In fact, some of the most compelling revisionist accounts of the novel in world literature have plotted its history within the framework of an expanding geogra

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The Dynamics of Residual and Emergent in the American Novel after 1940to confront that idea as we prepare to edit the forthcoming volume eight of ., devoted to American fiction after 1940, and we find ourselves inclined to make the counterargument: that the novel has been reinvigorated over the past sixty years by its encounters with both emergent forms (such as film,

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onal activities of companies have gained dramatically in importance. Empirical evidence for this statement can be found, for instance, in the rapid growth of world trade and in foreign direct investment flows as well as in the high share of intra company trade on total world trade, indicating the re

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