Titlebook: New Directions in Theatre; Julian Hilton (Visiting Professor) Textbook 1993Latest edition Macmillan Publishers Limited 1993 aesthetics.ant

錯(cuò)誤

Textbook 1993Latest editiond the practice of performance. The best tool you can give the learner is a good theory, and from this collection of theories, learners can choose the tools that best suit their approach to theatre studies. They range from reception theory and semiotics, to the anthropology of the audience and the carnivalesque to hermeneutics and computing.

為敵

空中

https://doi.org/10.1007/978-1-349-22750-1aesthetics; anthropology; concept; drama; education; hermeneutics; knowledge; performance; poetics; semiotics

Nonconformist

LINES

aqueduct

Production and Reception in the Theatre,ception: we can study text sources, the literary context, influence on the author, the refining of the . in the rehearsal process,. the material conditions of performance, and so on. Communication theory, applied somewhat mechanically to literary works, has led to the imposition of the idea that art

傻瓜

Audience: Osiris, Catharsis and the Feast of Fools,ties called respectively the ptarmigans and the ducks, the ptarmigans comprising all persons born in winter, and the ducks all persons born in summer. A long rope of seal-skin is then stretched out, and each party laying hold of one end of it seeks by tugging with might and main to drag the other pa

善變

Carnival and the Poetics of Reversal,atin root -. (to turn): ., which undermines, uproots and destroys; ., with its Platonic and Christian history of lasting spiritual reorientation; and ., which, now usually used of sexual behaviour, still retains some of its original connotations of diabolic rebellion against a divinely ordained natu

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The Hermeneutic Approach to Theatre and Drama,rged as one of the most stimulating and productive of several new directions in recent criticism. It is hardly a complete newcomer: traditionally associated with techniques of exegesis or explanation of individual passages of the Bible and the classics, it has since the late eighteenth century been

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