Titlebook: New Directions in Supernatural Horror Literature; The Critical Influen Sean Moreland Book 2018 The Editor(s) (if applicable) and The Author

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Ansky’s ,, Freud’s ,, Watson’s “Little Albert,” and published ., denouncing religion and linking supernaturalism to an infantile need for an all-nurturing, omnipresent mother, among other things. This chapter traces the history of . and examines why it endures and appeals long after Lovecraft’s dubious praise of it, while Freud’s psychoanalysis has c

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Lovecraft and the Titans: A Critical Legacy69–1951), and M. R. James (1862–1936). His identification of these figures as the leading writers of weird fiction for this period elicited controversy among later critics, but Lovecraft’s judgment was remarkably prescient and has stood the test of time. The literary elements Lovecraft praised in th

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Bizarre Epistemology, Bizarre Subject: A Definition of Weird Fictiontiating between philosophical extrapolations and aesthetic tendencies, this chapter examines weird fiction from a philosophical point of view without turning weird fiction, which is an art, into a philosophy. The influences of philosophical ideas drawn from Spinoza, Nietzsche, Bergson, and Deleuze o

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Speaking the Unspeakable: Women, Sex, and the Dismorphmythic in Lovecraft, Angela Carter, Caitlín R.linked to miscegenation that threatens humankind. Despite this, there is a Lovecraftian legacy of work by women writers, one this chapter explores, focusing on work by Angela Carter, Caitlín R. Kiernan, and selected stories collected in the anthology ., edited by Silvia Moreno-Garcia and Paula R. St