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Titlebook: New Critical Perspectives on the Beatles; Things We Said Today Kenneth Womack,Katie Kapurch Book 2016 The Editor(s) (if applicable) and The

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發(fā)表于 2025-3-21 16:03:48 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱New Critical Perspectives on the Beatles
副標題Things We Said Today
編輯Kenneth Womack,Katie Kapurch
視頻videohttp://file.papertrans.cn/665/664971/664971.mp4
叢書名稱Pop Music, Culture and Identity
圖書封面Titlebook: New Critical Perspectives on the Beatles; Things We Said Today Kenneth Womack,Katie Kapurch Book 2016 The Editor(s) (if applicable) and The
描述The Beatles are probably the most photographed band in history and are the subject of numerous biographical studies, but a surprising dearth of academic scholarship addresses the Fab Four. .New Critical Perspectives on the Beatles. offers a collection of original, previously unpublished essays that explore ‘new‘ aspects of the Beatles. The interdisciplinary collection situates the band in its historical moment of the 1960s, but argues for artistic innovation and cultural ingenuity that account for the Beatles‘ lasting popularity today. Along with theoretical approaches that bridge the study of music with perspectives from non-music disciplines, the texts under investigation make this collection ‘new‘ in terms of Beatles‘ scholarship. Contributors frequently address under-examined Beatles texts or present critical perspectives on familiar works to produce new insight about the Beatles and their multi-generational audiences.?.
出版日期Book 2016
關(guān)鍵詞The Beatles; Critical Theory; Cultural Studies; the Fab Four; 1960s; artistic innovation; cultural ingenui
版次1
doihttps://doi.org/10.1057/978-1-137-57013-0
isbn_ebook978-1-137-57013-0Series ISSN 2634-6613 Series E-ISSN 2634-6621
issn_series 2634-6613
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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發(fā)表于 2025-3-21 23:31:06 | 只看該作者
Getting Better: The Beatles and the Angry Young Menwritten, the AYM—in their disgust at the “worn out and conservative mores of the society in which they found themselves”—established the keynote of the 1960s satirists, whose tone and style the Beatles increasingly adopted. Though conventionally credited with having created the hippie ethic of the 1
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“Blue Jay Way”: The Imagery of Pure Consciousness in Selected Beatles songs of interpretive possibility. In their emphasis on music’s ability to weave a web of interrelationships not only between words and music, but also between musical and non-musical sounds, these avant-garde songs of the Beatles negotiate an ethical balance of life reflecting on the deep origins of the
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Crying, Waiting, Hoping: The Beatles, Girl Culture, and the Melodramatic Modemages as they “play” with the members of the band. In fact, re-envisioning John Lennon and Paul McCartney’s friendship outside its historical moment offers possibilities for queer re-workings of Beatle biographies. Such innovative play reveals how the Beatles’ appeals to girls in the 1960s inform th
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