Titlebook: New Critical Essays on H.P. Lovecraft; David Simmons Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 Lovecraft.fictio

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“The Infinitude of the Shrieking Abysses”: Rooms, Wombs, Tombs, and the Hysterical Female Gothic in n thought of as unsuccessful, with S. T. Joshi describing the story as “one of his poorest later efforts” (2001 335), and Steven Mariconda condemning it as “Lovecraft’s magnificent failure” (192). It is this comparative claustrophobia that lends the story of how Walter Gilman meets his maker to a Fe

興奮過(guò)度

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PARA

烤架

From the Library of America to the Mountains of Madness: Recent Discourse on H. P. Lovecraftt auspiciously with August Derleth and Donald Wandrei, who created Arkham House in 1939 as a publishing venture specifically to keep Lovecraft’s work in print. Second, there is the H. P. Lovecraft who is the subject of academic inquiry. Much like Poe or Twain or Faulkner, Lovecraft even has his very

巧思

Co(s)mic Horror following, yet as Stephen Jones points out, “his relatively small body of work has influenced countless imitators, and formed the basis of a world-wide industry of books, games and movies based on his concepts and imagination” (494). The cultural currency of his work is such that Alan Moore and Jac

Adenoma