Titlebook: New British Political Dramatists; Howard Brenton, Davi John Bull Textbook 1984Latest edition John Bull 1984 20th century.British drama.Chur

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https://doi.org/10.1007/978-1-349-17571-020th century; British drama; Churchill; Conservative Party; England; festival; film; George Bernard Shaw; Gr

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,1968 and All That: Agit-Prop or ‘Avant-Garde’,eflected a profound disquiet about the current state of the nation, and, although these playwrights occupied a variety of political positions, their political ideals were well to the left of the Labour Party and indeed quite outside the terms of reference of conventional Parliamentary ‘democracy’.

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Coming to Terms with the Seventies: Fusions,rmanent or semi-permanent company-bases, and the increased accessibility of the larger subsidised theatres to alternative productions. It is important to note that the commercial theatres play almost no part in this development.

Chromatic

On the Edge of the Eighties: Developments,er the bed’, the Labour defeat was inevitable. Thatcher’s clearly articulated promise of a return to a simple model of strong government struck a chord in an electorate as disillusioned with the impotence of Parliament as it was uncertain about the implications of Britain’s declining role, economically and politically, in the contemporary world.

intuition

Howard Brenton: Portable Theatre and the Fringe,as become increasingly well known. His ambiguous acceptance by the theatrical establishment has allowed him to utilise the facilities of the large theatres in a move towards a reformulation of ‘epic theatre’, but he has never ceased to question the point of the exercise.

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Trevor Griffiths: Strategic Dialectics, of political struggle that is scarcely to be found in the early work of either of the others. And again, although . has been toured by the 7:84 Company, Griffiths cannot be fitted into a straight agit-prop slot.

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