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Titlebook: New Argentine and Brazilian Cinema; Reality Effects Jens Andermann,álvaro Fernández Bravo Book 2013 Palgrave Macmillan, a division of Natur

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發(fā)表于 2025-3-21 19:43:03 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱New Argentine and Brazilian Cinema
副標(biāo)題Reality Effects
編輯Jens Andermann,álvaro Fernández Bravo
視頻videohttp://file.papertrans.cn/665/664829/664829.mp4
叢書名稱New Directions in Latino American Cultures
圖書封面Titlebook: New Argentine and Brazilian Cinema; Reality Effects Jens Andermann,álvaro Fernández Bravo Book 2013 Palgrave Macmillan, a division of Natur
描述Reality Effects brings together the reflections of leading film scholars and critics from Latin America, the UK and the United States on the re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.
出版日期Book 2013
關(guān)鍵詞America; Appropriation; cinema; crisis; event; fiction; film; memory; nature; present; realism; reason; Research
版次1
doihttps://doi.org/10.1057/9781137304834
isbn_softcover978-1-349-45461-7
isbn_ebook978-1-137-30483-4Series ISSN 1554-4028 Series E-ISSN 2634-520X
issn_series 1554-4028
copyrightPalgrave Macmillan, a division of Nature America Inc. 2013
The information of publication is updating

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Documentary Cinema and the Return of What Was,ocedure capable of demonstrating the idea that the sense given to an event does not simply depend on recognizing the event, but also on strategies of representation or the way in which these strategies are directed at the viewer; that is, the way in which the subject is approached by the film.
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The Self as Other: Reality, Archive, and the Witness in Three Contemporary Latin American Films,s without falling into the temptation of rapidly transforming them into film characters” (Comolli, 2007:131). The strategies for the decomposition of the self and the use of both the third person as well as the archive to present a self-image are the focus of my work.
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José Carlos Avellarpace trajectories. Thus, a many-body system cannot be characterized by a single microstate, but rather by an ensemble of microstates. This statistical ensemble of microstates represents the macrostate which is specified by the macroscopic state variables .,.... (see Fig. 2.1).
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1554-4028 re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.978-1-349-45461-7978-1-137-30483-4Series ISSN 1554-4028 Series E-ISSN 2634-520X
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