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Titlebook: New Approaches to the Twenty-First-Century Anglophone Novel; Sibylle Baumbach,Birgit Neumann Book 2019 The Editor(s) (if applicable) and T

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31#
發(fā)表于 2025-3-26 22:59:44 | 只看該作者
32#
發(fā)表于 2025-3-27 01:51:53 | 只看該作者
,‘Reality Hunger,’ Documentarism, and Fragmentation in Twenty-First-Century Anglophone Novels,aesthetics. The present article examines these tendencies, and their common denominators, on the basis of an engagement with David Shields’ influential “manifesto” . (2010). Reading Shields’ text as a particular form of cultural diagnosis, we will touch upon questions regarding the place of literatu
33#
發(fā)表于 2025-3-27 05:22:50 | 只看該作者
Cli-Fi: Environmental Literature for the Anthropocene, of its focus on human-made climate change is unsurprising given our growing awareness of the ways that our actions are impacting the planet and given the increase in speculative fiction about the possible end results of unchecked human activity. In this essay, I analyse two very different novels th
34#
發(fā)表于 2025-3-27 11:43:21 | 只看該作者
The Animal Novel That Therefore This Is Not?,nstructed. Focusing attention not only on the pernicious effects of speciesism and its intersections with forces of racism and sexism, these novels acknowledge how our understanding of humanity has been shaped against, but also, and more importantly with non-human animals. By representing our deep a
35#
發(fā)表于 2025-3-27 13:35:43 | 只看該作者
We Have Always Already Been Becoming Posthuman? Posthumanism in Theory and (Reading) Practice,ovel. After a brief introduction to philosophical posthumanism, it discusses two literary works, Margaret Atwood’s . (.) and J. M. Coetzee’s . (2005), and outlines ways of approaching what is described as a “l(fā)iterary posthumanism” by engaging with questions of form and genre as well as the role of e
36#
發(fā)表于 2025-3-27 17:50:52 | 只看該作者
37#
發(fā)表于 2025-3-27 22:32:50 | 只看該作者
,Post-national Futures in National Contexts: Reading ‘British’ Fictions of Artificial Intelligence,within a post-devolutionary United Kingdom. Despite situating British science fiction in contrast to science fiction productions from the US or Europe, the ‘British Boom’ elided the role of such regional visions, and this piece examines whether regionality has any place in a genre more generally kno
38#
發(fā)表于 2025-3-28 05:56:11 | 只看該作者
39#
發(fā)表于 2025-3-28 06:53:13 | 只看該作者
40#
發(fā)表于 2025-3-28 12:29:20 | 只看該作者
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