Titlebook: New American Dramatists 1960–1990; Ruby Cohn Textbook 1991Latest edition Ruby Cohn 1991 America.drama.dramatist.edition.play.women

papyrus

書目名稱New American Dramatists 1960–1990影響因子(影響力)




書目名稱New American Dramatists 1960–1990影響因子(影響力)學(xué)科排名




書目名稱New American Dramatists 1960–1990網(wǎng)絡(luò)公開度




書目名稱New American Dramatists 1960–1990網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱New American Dramatists 1960–1990被引頻次




書目名稱New American Dramatists 1960–1990被引頻次學(xué)科排名




書目名稱New American Dramatists 1960–1990年度引用




書目名稱New American Dramatists 1960–1990年度引用學(xué)科排名




書目名稱New American Dramatists 1960–1990讀者反饋




書目名稱New American Dramatists 1960–1990讀者反饋學(xué)科排名

幾何學(xué)家

Nonthreatening

Volatile-Oils

,Ladies’ Day: Owens, Howe, Henley, Norman, society grow increasingly critical of male privilege, theatre doors are opening to female playwrights. But not very wide. In the main, Broadway has supported white middle-class ladies, when it has supported them at all. From Anna Cora Mowatt to Wendy Wasserstein, box office successes depict educate

GLUT

Agit-Prop and Political Purpose: the Becks, Holden, Valdez, Nelson,h of the Radical Theatre Repertory, which proclaimed,.With the exception of the Firehouse Theatre in Minneapolis (but soon thereafter in San Francisco), the nineteen radical groups of the Repertory were located on the two coasts of the United States, thirteen in New York. Although the members agreed

討厭

LAVA

From Gay to Ridiculous: Duberman, Patrick, Tavel, Bernard, Ludlam,omosexuality is a main theme’. Editor William Hoffman pinpoints Mae West’s . (1927) as the first American homosexual play. In ., as well as her . (1928) Hoffman hears a plea for sexual tolerance. I hear that plea also in Lillian Hellman’s . (1934), but Hoffman finds that she treats homosexuality ‘wi

上坡

Visuals, and Visions: Foreman, Breuer,orged influential visual modes in theatre: Peter Schuman of the Bread and Puppet Theatre; Robert Wilson, originally of the Byrd Hoffman Foundation; Richard Schechner of the Performance Group; Richard Foreman of the Ontological Hysteric Theatre; Lee Breuer and JoAnne Akalaitis of the Mabou Mines; and

bisphosphonate

ULCER

https://doi.org/10.1007/978-1-349-21389-4America; drama; dramatist; edition; play; women