Titlebook: Neutron Capture Gamma-Ray Spectroscopy; Robert E. Chrien,Walter R. Kane Book 1979 Plenum Press, New York 1979 electron.neutron.spectroscop

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Locating Giant Resonances with Photoneutronsthe nuclear mass regions of 120, 140 and 208 will be discussed in detail. New very high resolution photoneutron studies of .Pb will be presented. Applications of the photoneutron polarization method to the .Pb(γ,n.) .Pb and .Sn(γ,n.) .Sn reactions will be reviewed.

ABIDE

Nonstatistical Effects in Neutron Capture, A Review of Recent Experiments The thermal capture data which exhibited correlations between reduced γ-ray intensities and (d, p) strengths are quantitatively accounted for in terms of the potential capture theory of Lane and Lynn. .Xe, .Te, and .Sm are presented as representative examples. In addition, the resonance capture dat

FLAG

Doorway Structures in the Radiative Capture of Fast Neutronssed on the K matrix formalism is seen to dampen the scattering wave function in the internal region and to remove all single particle resonances from the continuum. In the application of the method to the quantitative analysis of the .Si(n,γ) and .S(n, γ) reaction both the trend and magnitude of the

vocation

Direct and Resonance Capture Reactions with Nucleons and Composite Particles and heavy nuclei. These are measurements in the giant-resonance region, and are of interest primarily in the degree to which they provide information on giant-quadrupole resonances, and on details of the giant-dipole resonance. Of course, in order to extract giant resonance information from radiati

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GIDDY

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Igal Talmiy render it a periphery status compared with other academic genres. At first glance, its relevance to the key academic goals of establishing claims and knowledge seems minimal and its condensed and relatively unvarying form does not seem to invite in-depth linguistic exploration. But as I shall demo

Canopy

F. Iachelloe is the amalgamative effect of the use of discursive and non-discursive features that language users choose, deliberately or otherwise, from socially available yet everchanging repertoires; it is the overall impression.’ In other words, ‘voice’ derives from a range of aspects of the text, both ling