Titlebook: Neurology and Modernity; A Cultural History o Laura Salisbury (RCUK Fellow in Science),Andrew Sh Book 2010 Palgrave Macmillan, a division o

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graphy

,Beyond the Brain: Sceptical and Satirical Responses to Gall’s Organology,t out to explain the functions of the mind on a material basis. Gall’s proposed physical account of the mind marked a radical methodological and theoretical reappraisal of the traditional dualism between mind and body. Earlier approaches, even those that sought a material contact-point between the b

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,Carlyle’s Nervous Dyspepsia: Nervousness, Indigestion and the Experience of Modernity in Nineteenthseases’ owed much to the decadent lifestyle of modernity. Allbutt argued that people said that nervous diseases were rife due to “l(fā)iving at high pressure, to the whirls of the railway, the pelting of telegrams, the strife of business” (‘Nervous’ 214), but he was not convinced by lay-people’s na?ve s

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Modernism and the Two Paranoias: The Neurology of Persecution,h figure possesses a grotesquely extended nose, twitching and disfiguring the subject’s face through distortion. Steadman naughtily suggests that these celebrities are ‘paranoids’ because society cannot deal with abnormally large noses or freakish ones incapable of containment. An odd intimation whe

cornucopia

,“Nerve-Vibration”: Therapeutic Technologies in the 1880s and 1890s,n in this context is evocative and productive of massive change, of transformation, destruction and “dire disorder” (Dickens 68). In ., Dickens’s choice of the most naturally destructive, shattering phenomenon of a ‘great earthquake’ as a metaphor for the construction of the railway — which was for

Individual

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,“I guess I’m just nervous, then”: Neuropathology and Edith Wharton’s Exploration of Interior Geogra, in 1898, subjected to Silas Weir Mitchell’s notorious rest cure has recently been challenged by Shari Benstock (93–4),. Wharton’s biography is, through the nervous disorders of two of her closest male companions, her husband Teddy Wharton and her literary friend Henry James, punctuated by the expe