Titlebook: Netherlands Quarterly for the History of Art; Simiolus Book 1975 Springer Netherlands 1975 history of Art

Fruition

書目名稱Netherlands Quarterly for the History of Art影響因子(影響力)




書目名稱Netherlands Quarterly for the History of Art影響因子(影響力)學(xué)科排名




書目名稱Netherlands Quarterly for the History of Art網(wǎng)絡(luò)公開度




書目名稱Netherlands Quarterly for the History of Art網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Netherlands Quarterly for the History of Art被引頻次




書目名稱Netherlands Quarterly for the History of Art被引頻次學(xué)科排名




書目名稱Netherlands Quarterly for the History of Art年度引用




書目名稱Netherlands Quarterly for the History of Art年度引用學(xué)科排名




書目名稱Netherlands Quarterly for the History of Art讀者反饋




書目名稱Netherlands Quarterly for the History of Art讀者反饋學(xué)科排名

迅速飛過

larder

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formula

Three portraits of the early Comnenian period,adapted to fit in with Christian ideas and beliefs, while the latter in their turn had introduced new aspects and modes into the imperial concept. The emperor was now no longer regarded as divine, but as a representative of God on earth..

令人苦惱

Heemskerck and Junius,Cast’s manuscript reached us at the beginning of that month and Ilja Veldman’s towards the end. After having read them, we realized that both authors had made the same discovery—the use by Maarten van Heemskerck of an emblem by the Haarlem humanist Hadrianus Junius in his painting of ., in East Berlin.

防止

eetle (.), white pine blister rust (.), and wildland fire interact with the vegetation and climate to create unique landscape behaviors. First, we synthesized the literature on the effects of these three disturbances and their interactions in the northern Rockies forests. Then we used the mechanisti

Verify

incision

比喻好

Heemskerck and Junius,Cast’s manuscript reached us at the beginning of that month and Ilja Veldman’s towards the end. After having read them, we realized that both authors had made the same discovery—the use by Maarten van Heemskerck of an emblem by the Haarlem humanist Hadrianus Junius in his painting of ., in East Berl

archaeology

,Marten van Heemskerck’s ,: a problem of Erasmian iconography,el van Mander. He speaks of Heemskerck’s religious devotion—for some 22 years he was warden at the church of St. Bavo in Haarlem—and he tells us of Heemskerck’s friendship with Dirck Volkertsz. Coornhert.. But the exact meaning of his contacts with the religious and intellectual leaders of Haarlem i