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Titlebook: Netflix and the Re-invention of Television; Mareike Jenner Book 20181st edition The Editor(s) (if applicable) and The Author(s) 2018 binge

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發(fā)表于 2025-3-21 18:23:51 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Netflix and the Re-invention of Television
編輯Mareike Jenner
視頻videohttp://file.papertrans.cn/663/662737/662737.mp4
概述Explores the way that Netflix has reconfigured and reinvented what television is.Views Netflix as a continuation of the history of television as object and its ancillary technologies.Avoids focusing s
圖書(shū)封面Titlebook: Netflix and the Re-invention of Television;  Mareike Jenner Book 20181st edition The Editor(s) (if applicable) and The Author(s) 2018 binge
描述.This book deals with the various ways Netflix reconceptualises television as part of the process of TV IV. As television continues to undergo a myriad of significant changes, Netflix has proven itself to be the dominant force in this development, simultaneously driving a number of these changes and challenging television’s existing institutional structures. This comprehensive study explores the pre-history of Netflix, the role of binge-watching in its organisation and marketing, and Netflix’s position as a transnational broadcaster. It also examines different concepts of control and the role these play in the history of ancillary technologies, from the remote control to binge-watching as Netflix’s iteration of giving control to the viewers. By focusing on Netflix’s relationship with the linear television schedule, its negotiations of quality and marketing, as well as the way Netflix integrates into national media systems, .Netflix and the Re-invention of Television. illuminatesthe importance of Netflix’s role within the processes of TV IV.??.
出版日期Book 20181st edition
關(guān)鍵詞binge-watching; transnational; TV; TV IV; remote control; technology; viewer; Netflix; power
版次1
doihttps://doi.org/10.1007/978-3-319-94316-9
isbn_softcover978-3-030-06831-8
isbn_ebook978-3-319-94316-9
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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Managing Choice, Negotiating Power: Remote Controlsry technologies. Though television remote controls were first introduced in the late 1940s, they became more accurate and cheaper to manufacture in the 1980s (see Benson-Allott, .. Bloomsbury, New York, .), meaning that they became increasingly common among owners of a television set throughout the
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Scheduling the Bingeon, this chapter puts Netflix’ organisational structure in relation to the linear television schedule, discussing similarities and differences. Central to this are Lisa Perks’ (. Lexington Books, Lanham, MA, .) concepts of insulated flow and entrance flow. Insulated flow describes the way Netflix fo
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