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Titlebook: Neoliberalism and Global Theatres; Performance Permutat Lara D. Nielsen (Assistant Professor),Patricia Yba Book 2012 Palgrave Macmillan, a

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發(fā)表于 2025-3-21 18:16:25 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Neoliberalism and Global Theatres
副標題Performance Permutat
編輯Lara D. Nielsen (Assistant Professor),Patricia Yba
視頻videohttp://file.papertrans.cn/663/662581/662581.mp4
叢書名稱Studies in International Performance
圖書封面Titlebook: Neoliberalism and Global Theatres; Performance Permutat Lara D. Nielsen (Assistant Professor),Patricia Yba Book 2012 Palgrave Macmillan, a
描述How do theatre and performance transmit and dispute ideologies of neoliberalism? The essays in this anthology examine the mechanisms and rhetorics of contemporary multinational and transnational organizations, artists, and communities that produce theatre and performance for global audiences.
出版日期Book 2012
關鍵詞Neoliberalism; global; theatre; international; performance; Ideologie; neoliberalism; politics; stage
版次1
doihttps://doi.org/10.1057/9781137035608
isbn_softcover978-1-137-50637-5
isbn_ebook978-1-137-03560-8Series ISSN 2947-4949 Series E-ISSN 2947-4957
issn_series 2947-4949
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2012
The information of publication is updating

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Archeologies of Empire: Colonial Hollywood and the Neoliberal Academyion. Though coloniality is deeply invested in a global process of spatio-temporal transformation and neoliberalism takes as its starting point the redefinition of the human subject as rational actor (that is, a shift from . to .), both logics permeate intersubjective and transnational practices.
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Teatro Visión and the Limits of Chicano Politics in Neoliberal Spaceveloped within a neoliberal agenda in which particular technical skills are becoming envisaged as universal and not necessarily requiring such contextual specificities” (43). According to this logic, professional knowledge is fungible and de-localized, and local knowledge is implicitly and sometimes explicitly devalued.
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Repairing Teatro Oficina Perdizer independent theatre artists. In particular, I have seen how the spaces in which we rehearse and perform impact on our overall artistic development and sustainability. Ultimately, without a viable space to rehearse and/or perform, theatre-making—whether it be group theatre and experimental or otherwise—is at risk.
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發(fā)表于 2025-3-22 14:24:26 | 只看該作者
Unchecked Popularity: Neoliberal Circulations of Black Social Dance and questioning cast in terms that involve active physical exploration (DeFrantz 2004). In local contexts of black communities, social dances function as essential agents of cultural expression, at once precious and freely available to those who engage their practice.
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Introduction: Heterotopic Transformations, The (Il)Liberal Neoliberaltly conjunctions of neoliberalism and finance capitalism as new and globalizing forms of war. Where neoliberalism proposes a “free” market ideology for reorganizing labor and resource management, finance capitalism is a radicalizing mechanism of income redistribution, transferring income from the re
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Nintendo Museum: Intercultural Pedagogy, Neoliberal Citizenship, and a Theatre without Actorso a ground-breaking experiment in what has become known as “the new museology.” A massive, ongoing audit of the nation’s beliefs, a tourist attraction extraordinaire, an elaborate enterprise in public pedagogy, the museum is quite unlike its predecessor, the Dominion Museum (formerly the Colonial Mu
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