Titlebook: Neo-Victorian Things; Re-imagining Ninetee Sarah E. Maier,Brenda Ayres,Danielle Mariann Dove Book 2022 The Editor(s) (if applicable) and Th

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value of traditional sharing practices and discusses how new digital technologies can harness it. The study examines the use of marine and terrestrial natural resources through subsistence activities over 10?years in the Republic of Palau, Micronesia, and compares their frequency with the use of dig

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,Objects and Memorabilia in Deborah Lutz’s , side of the trace of the Victorian past, objects and things in contemporary culture. The growing interest in objects and sensory experience in Victorian scholarship provides the broader context for a neo-Victorian burgeoning fascination with objects, bodies and the sense of touch. In her biography

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,“Around the Mizzenpole”: Charles Johnson’s , and African Americanising the Neo-Victorian-at-sea,o-Victorian fictions. Neo-Victorianism can be described as an infiltration of the past into the present and the neo-slave narrative as the disturbing reality of slavery extended into the post-Civil Rights contemporary. The ship is a vessel with associations between these two literary categories, as

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Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture,dies and suggests that consumers are now “. the past” in the sense of trying to re-enact Victorian “scripts” in multiple modes. She focuses on opium and opium paraphernalia because the drug serves as an apt metaphor for the interplay of remembrance and oblivion that characterises neo-Victorian appro

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