Titlebook: Negotiating the EU’s 2030 Climate and Energy Framework; Agendas, Ideas and E Oscar Fitch-Roy,Jenny Fairbrass Book 2018 The Editor(s) (if ap

側(cè)面上下

書目名稱Negotiating the EU’s 2030 Climate and Energy Framework影響因子(影響力)




書目名稱Negotiating the EU’s 2030 Climate and Energy Framework影響因子(影響力)學(xué)科排名




書目名稱Negotiating the EU’s 2030 Climate and Energy Framework網(wǎng)絡(luò)公開度




書目名稱Negotiating the EU’s 2030 Climate and Energy Framework網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Negotiating the EU’s 2030 Climate and Energy Framework被引頻次




書目名稱Negotiating the EU’s 2030 Climate and Energy Framework被引頻次學(xué)科排名




書目名稱Negotiating the EU’s 2030 Climate and Energy Framework年度引用




書目名稱Negotiating the EU’s 2030 Climate and Energy Framework年度引用學(xué)科排名




書目名稱Negotiating the EU’s 2030 Climate and Energy Framework讀者反饋




書目名稱Negotiating the EU’s 2030 Climate and Energy Framework讀者反饋學(xué)科排名

Intrepid

Acclaim

Analytical Framework, in the 1980s is introduced and described. MSA is argued to be an especially suitable conceptual approach to the analysis of climate and energy policy interest group activity and that it is especially well suited to application in an EU context.

Fecal-Impaction

DEBT

情節(jié)劇

追蹤

健談

Oscar Fitch-Roy,Jenny Fairbrass and co-operation of others.. Machiavelli countered notoriously that some leaders did better to cultivate fear and wonder than love.. In Shakespeare’s day psychology was typically explained by analogy with politics, the emotions potential rebels against the rightful monarch, reason.. Monarchs themse

沉默

Oscar Fitch-Roy,Jenny Fairbrassnderstanding of French vocabulary to ‘get’ the joke. Bilingual wordplay allows audience members familiar with French privileged access to the play’s comic scenes. Rather than degrading and humiliating either the princess or the French as a group, this builds a form of aural sympathy between audience

neolith

Oscar Fitch-Roy,Jenny Fairbrass, Shakespeare uses this meteorological event differently. In ., he forgoes the supernatural scene setting of the thunder and lightning in . and refuses the simple foreshadowing of political tumult facilitated by .’s busy skies. The storm is also neither a device for gathering all his characters into