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Titlebook: Negotiating Unity and Diversity in the European Union; Florian Bieber,Roland Bieber Book 2021 The Editor(s) (if applicable) and The Author

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11#
發(fā)表于 2025-3-23 10:37:32 | 只看該作者
Florian Bieber,Roland Bieberot and others in the 1920s and 1930s, this book argues that the literary landscape resembled a paradoxically fertile wasteland, for just below the arid plain of the time lay the seeds for artistic renewal and rejuvenation which would finally flourish in the later twentieth century. ?.978-1-137-58218-8
12#
發(fā)表于 2025-3-23 14:59:25 | 只看該作者
Florian Bieber,Roland Bieberot and others in the 1920s and 1930s, this book argues that the literary landscape resembled a paradoxically fertile wasteland, for just below the arid plain of the time lay the seeds for artistic renewal and rejuvenation which would finally flourish in the later twentieth century. ?.978-1-137-58218-8
13#
發(fā)表于 2025-3-23 19:18:16 | 只看該作者
14#
發(fā)表于 2025-3-24 00:39:14 | 只看該作者
15#
發(fā)表于 2025-3-24 04:58:00 | 只看該作者
16#
發(fā)表于 2025-3-24 09:24:27 | 只看該作者
Florian Bieber,Roland Bieberomena. From this angle, desire is inevitably involved with the kinds and forms of knowledge by which disciplinary formations not only regulate and define (and therefore limit) but generate and proliferate our affective interests. As Clifford Siskin puts it, “desire is inherently disciplinary” (., p.
17#
發(fā)表于 2025-3-24 11:16:51 | 只看該作者
18#
發(fā)表于 2025-3-24 15:31:24 | 只看該作者
Florian Bieber,Roland Bieber991, 110–11), style is manufactured with planned or “progressive” obsolescence (Ewen 1988, 244, 249–51), and where we are in the era of “demassification” and “the end of mass culture” (Toffler, Denning, cited in Agnew 1993, 38). I want to begin to describe how this market phenomenon helps account fo
19#
發(fā)表于 2025-3-24 20:35:46 | 只看該作者
20#
發(fā)表于 2025-3-25 00:19:49 | 只看該作者
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