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Titlebook: Nationalism in Contemporary Western European Cinema; James Harvey Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Nationali

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發(fā)表于 2025-3-21 16:58:47 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Nationalism in Contemporary Western European Cinema
編輯James Harvey
視頻videohttp://file.papertrans.cn/662/661558/661558.mp4
概述Presents the first scholarly attempt to deal with the new nationalism through film.Provides in-depth critical, analytical engagement with screen representations of 21st century nationalism.Offers anal
叢書名稱Palgrave European Film and Media Studies
圖書封面Titlebook: Nationalism in Contemporary Western European Cinema;  James Harvey Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Nationali
描述.This book investigates screen representations of 21st century nationalism—arguably the most urgent and apparent phenomenon in the Western world today. The chapters explore recurrent thematic and stylistic features of 21st century western European cinema, and analyse the ways in which film responds to contemporary developments of mounting tensions and increasing hostilities to difference. The collection blends incisive sociological and historical engagement with close textual analysis of many types of screen media, including popular cinema, art-house productions, low-budget independent work, documentary and video installation. Identifying motifs of nationhood and indigeneity throughout, the contributors of this volume present important perspectives and a timely cultural response to the contemporary moment of nationalism..
出版日期Book 2018
關(guān)鍵詞Nationalism; 21st century nationalism; Bush government; post 9/11; national cinema; nation branding; europ
版次1
doihttps://doi.org/10.1007/978-3-319-73667-9
isbn_softcover978-3-030-08831-6
isbn_ebook978-3-319-73667-9Series ISSN 2634-615X Series E-ISSN 2634-6168
issn_series 2634-615X
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:53:05 | 只看該作者
板凳
發(fā)表于 2025-3-22 00:54:06 | 只看該作者
Palgrave European Film and Media Studieshttp://image.papertrans.cn/n/image/661558.jpg
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發(fā)表于 2025-3-22 06:29:01 | 只看該作者
https://doi.org/10.1007/978-3-319-73667-9Nationalism; 21st century nationalism; Bush government; post 9/11; national cinema; nation branding; europ
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發(fā)表于 2025-3-22 09:00:28 | 只看該作者
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發(fā)表于 2025-3-22 13:56:45 | 只看該作者
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發(fā)表于 2025-3-22 17:57:54 | 只看該作者
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發(fā)表于 2025-3-22 23:04:07 | 只看該作者
Diasporic Belgian Cinema: Transnational and Transcultural Approaches to Molenbeek and Matonge in ,, backdrop of terrorism and Islamic fundamentalism has led to a synchronic interpretation of . as a potentially radical and subversive film. This chapter argues?that . represents the futile hope of a multicultural understanding of Belgian nationalism, as it reinforces the separation between excluded groups.
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發(fā)表于 2025-3-23 02:04:53 | 只看該作者
,“,”: Liquid National Identities in the Cinema of the Berlin School, Benjamin Heisenberg, Maren Ade and Ulrich K?hler. While the New Berlin School has no explicit manifesto, common characteristics bind them together into an auteur-centred, coherent movement that rejects mainstream clichés to find new notions of national self-image framed by present-day struggles with post-wall capitalist structure and ideology.
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發(fā)表于 2025-3-23 06:00:21 | 只看該作者
,Resistance Against Itself: Austrian Cinema’s Responses to the Far-Right,tempts to raise political consciousness, shape historical awareness, and enact critique of the populist far-right, illustrating as well their sensitivities to the dynamics of representing the far-right and their shared concern for engagement with the political sphere.
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