Titlebook: National Myth and the First World War in Modern Popular Music; Peter Grant Book 2017 The Editor(s) (if applicable) and The Author(s) 2017

ED431

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言外之意

Palgrave Studies in the History of Subcultures and Popular Musichttp://image.papertrans.cn/n/image/661474.jpg

縱欲

https://doi.org/10.1007/978-1-137-60139-1World War One; National myths; Popular memory; Nationalism; Remembrance

金哥占卜者

Peter GrantExplores how popular music depicts one of the most studied historical events.Combines memory studies, cultural history and music in a major interdisciplinary study.Utilises a range of approaches such

Euthyroid

Conclusion: Music and the Centenary,Looks briefly at how various national War myths are influencing the way in which the centenary of the War is being presented in different countries, especially through the use of music. Draws some final conclusions on the relationship between popular music, memory and national myth making.

手術(shù)刀

fixed-joint

NADIR

極深

Words and Music,ferences between the War myths of Australia and Canada are brought out through an analysis of a key song from each country: Eric Bogle’s ‘And the Band Played Waltzing Matilda’ and Bryan Adam’s ‘Remembrance Day’ respectively.

眨眼

The Voice of the People, transnational themes. They include Moussu T et lei Jovents, Jean-Jaques Goldman and Manau..The chapter then considers Anglo-Saxon folk artists, most notably Bob Dylan, Eric Bogle, Shirley Collins, June Tabor, Mike Harding and Al Stewart.