| 書目名稱 | Nation and Race in West End Revue | | 副標(biāo)題 | 1910–1930 | | 編輯 | David Linton | | 視頻video | http://file.papertrans.cn/662/661386/661386.mp4 | | 概述 | Fills a gap in understanding how and why London West End revue was such an exciting, popular and influential form throughout the twentieth century.Challenges previous theatre historiographies and call | | 叢書名稱 | Palgrave Studies in British Musical Theatre | | 圖書封面 |  | | 描述 | London West End revue constituted a particular response to mounting social, political, and cultural insecurities over Britain’s status and position at the beginning of the twentieth century. Insecurities regarding Britain’s colonial rule as exemplified in Ireland and elsewhere, were compounded by growing demands for social reform across the country — the call for women’s emancipation, the growth of the labour, and the trade union movements all created a climate of mounting disillusion. Revue correlated the immediacy of this uncertain world, through a fragmented vocabulary of performance placing satire, parody, social commentary, and critique at its core and found popularity in reflecting and responding to the variations of the new lived experiences. Multidisciplinary in its creation and realisation, revue incorporated dance, music, design, theatre, and film appropriating pre-modern theatre forms, techniques, and styles such as burlesque, music hall, pantomime, minstrelsy, and pierrot.Experimenting with narrative and expressions of speech, movement, design, and sound, revue displayed ambivalent representations that reflected social and cultural negotiations of previously essentialis | | 出版日期 | Book 2021 | | 關(guān)鍵詞 | Colonialism; Burlesque; Commedia; Music hall; Pantomime; Minstrelsy; Pierrot | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-75209-5 | | isbn_softcover | 978-3-030-75211-8 | | isbn_ebook | 978-3-030-75209-5Series ISSN 2946-4137 Series E-ISSN 2946-4145 | | issn_series | 2946-4137 | | copyright | The Editor(s) (if applicable) and The Author(s) 2021 |
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