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Titlebook: Narratives of Memory; British Writing of t Victoria Stewart Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 b

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發(fā)表于 2025-3-21 18:00:06 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Narratives of Memory
副標題British Writing of t
編輯Victoria Stewart
視頻videohttp://file.papertrans.cn/662/661324/661324.mp4
圖書封面Titlebook: Narratives of Memory; British Writing of t Victoria Stewart Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 b
描述This book identifies memory a previously unexamined concern in both literary and popular writing of the 1940s. Emphasizing the use of memory as a structural device, this book traces developments in narrative, during and immediately after the war. Authors include Margery Allingham, Elizabeth Bowen, Graham Greene, Patrick Hamilton and Denton Welch.
出版日期Book 2006
關鍵詞bibliography; knowledge; media; memory; Narrative; time; writing; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230624986
isbn_softcover978-1-349-54597-1
isbn_ebook978-0-230-62498-6
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2006
The information of publication is updating

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發(fā)表于 2025-3-21 21:55:28 | 只看該作者
Conclusion,m over the shop, Julia is able to supply some further lines to the song ‘Oranges and Lemons’, first mentioned to Winston by Mr Charrington, although Winston has to explain to her what a lemon is (153).
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發(fā)表于 2025-3-22 00:42:01 | 只看該作者
as a structural device, this book traces developments in narrative, during and immediately after the war. Authors include Margery Allingham, Elizabeth Bowen, Graham Greene, Patrick Hamilton and Denton Welch.978-1-349-54597-1978-0-230-62498-6
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發(fā)表于 2025-3-22 04:37:38 | 只看該作者
Introduction,e, the loss of a protagonist’s memory causing narrative complications. Its workings were also, on occasion, discussed and analysed within the narrative. In fact, these two aspects of memory — its structural and thematic functions — are not cleanly separable from each other, and their interaction can
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Remembering the Last War,he Second World War. Writers could draw on their own personal experiences of combat as a means of endorsing their predictions about the future, or they could appeal to cultural memory, reference points that the reader might be presumed to share. Both individual and collective remembrance could be us
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