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Titlebook: Narratives of Difference in Globalized Cultures; Reading Transnationa Belén Martín-Lucas,Andrea Ruthven Book 2017 The Editor(s) (if applica

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書(shū)目名稱(chēng)Narratives of Difference in Globalized Cultures
副標(biāo)題Reading Transnationa
編輯Belén Martín-Lucas,Andrea Ruthven
視頻videohttp://file.papertrans.cn/662/661313/661313.mp4
概述Interrogates questions of race, gender, media, language, and class.Addresses contemporary concerns surrounding identity and difference in neoliberal, globalized societies.Examines a wide range of medi
叢書(shū)名稱(chēng)New Comparisons in World Literature
圖書(shū)封面Titlebook: Narratives of Difference in Globalized Cultures; Reading Transnationa Belén Martín-Lucas,Andrea Ruthven Book 2017 The Editor(s) (if applica
描述This book is about how the marketing of transnational cultural commodities capitalizes on difference and its appeal for cosmopolitan consumers in our postmodern globalized world. At what price? What ethical and political conundrums does the artist/writer/reader confront when going global? This volume analyzes why difference - whether gender, sexual, racial, ethnic, or linguistic - has become such a prominent element in the contemporary cultural field, and the effects of this prevalence on the production, circulation and reception of cultural commodities in the context of globalization. At the intersection of globalization, diaspora, postcolonial and feminist studies in world literature, these essays engage critically with a wide variety of representative narratives taken from diverse cultural fields, including humanitarian fiction, multilingual poetry, painting, text-image art, performance art, film, documentary, and docu-poetry. The chapters included offer counter-readings that disrupt hegemonic representations of cultural identity within the contemporary, neoliberal and globalized landscape..
出版日期Book 2017
關(guān)鍵詞Feminism; Masculinity Studies; Visual arts; Consumers; Diaspora; Postcolonial
版次1
doihttps://doi.org/10.1007/978-3-319-62133-3
isbn_softcover978-3-319-87240-7
isbn_ebook978-3-319-62133-3Series ISSN 2634-6095 Series E-ISSN 2634-6109
issn_series 2634-6095
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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Belén Martín-Lucas,Andrea RuthvenInterrogates questions of race, gender, media, language, and class.Addresses contemporary concerns surrounding identity and difference in neoliberal, globalized societies.Examines a wide range of medi
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978-3-319-87240-7The Editor(s) (if applicable) and The Author(s) 2017
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,Introduction: Interrogating the Production, Circulation and Reception of ‘Difference’ in GlobalizedThe eleven chapters in this volume interrogate the ways in which ‘difference’—undoubtedly a prominent element within the global flows of people and products—is narrated, whether in terms of gender, sexuality, race, language or geographical location.
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發(fā)表于 2025-3-22 18:42:17 | 只看該作者
Subversive Translation and Lexical Empathy: Pedagogies of , and Transnational Multilingual Poeticscal practice in which transnational author Merlinda Bobis combines her own complex perspectives as a multilingual writer, reader, teacher, translator and scholar. When facing linguistic and cultural difference in a predominantly monolingual hegemonic context, as is the case of the Australian literar
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發(fā)表于 2025-3-22 23:19:26 | 只看該作者
The Production and Productivity of Humanitarian Fiction: Postcolonial Shame and Neocolonial Crisess suffering? Aware of such critique, writers in this area often make the failure of their effort an integral part of their work. Timothy Bewes (2011) has recently theorized that postcolonial writing incorporates a failure of form which he terms ‘shame’, a gap between the writing of postcolonial crit
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Still Devouring Frida Kahlo: Psychobiography versus Postcolonial and Disability Readingswing especially on Margaret A. Lindauer’s critique of psychobiographical approaches to Kahlo. Exposing the limitations and colonialist drives in many psychoanalytical studies of Kahlo’s paintings, this chapter considers Kahlo’s politics and the complexity of the artist’s processes. Focusing on her s
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