Titlebook: Narrative, Philosophy and Life; Allen Speight Book 2015 Springer Science+Business Media Dordrecht 2015 Narrative Intelligence.life writing

Foment

How Sartre, Philosopher, Misreads Sartre, Novelist: , and the Adventures of the Narrative Selfe understanding) and Strawson (a critic of it) cite Roquentin’s claim that one must “l(fā)ive or tell” and suggest that the novel presents lived experience and storytelling as mutually exclusive. I contextualize Roquentin’s claim within the larger dramatic arc of the story and argue that the novel does

Mobile

Aristotle on Narrative Intelligenceanding that spectators/readers gain from the experience of tragedy and of its relation to other forms of knowledge. It suggests that, although it is different from, and inferior to, practical and theoretical wisdom, “narrative intelligence” is connected to both. It is directed to the kinds of object

PHONE

Dostoevsky and the Literature of Process: What Open Time Looks Likest at some moments, more than one event could take place. The essay looks especially at examples of intention and temporality in Dostoevsky’s writings, which represent time in an open and processual way.

DNR215

Narrative and the Literary Imaginationas essentially concerned with fiction-making and the other with culture-making. The literary imagination’s power to create fictions is what gives it its most obvious claim to “autonomy”, as Kant would have it: its freedom to venture out in often wild and spectacular excess of reality. The argument o

Spinal-Fusion

restrain

下垂

pellagra

Hume’s Own Lifecompares Hume’s end-of-life assessment—what the author calls “an extraordinary literary disappearing act”—with earlier autobiographical remarks of his and places the essay in the larger context of Hume’s account of the task of history-writing in general, showing how Hume wrestled with the problem of

commensurate

needle