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Titlebook: Narrative Form; Revised and Expanded Suzanne Keen Book 2015Latest edition The Editor(s) (if applicable) and The Author(s) 2015 Narrative.na

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發(fā)表于 2025-3-21 19:25:51 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Narrative Form
副標(biāo)題Revised and Expanded
編輯Suzanne Keen
視頻videohttp://file.papertrans.cn/662/661244/661244.mp4
圖書封面Titlebook: Narrative Form; Revised and Expanded Suzanne Keen Book 2015Latest edition The Editor(s) (if applicable) and The Author(s) 2015 Narrative.na
描述This revised and expanded handbook concisely introduces narrative form to advanced students of fiction and creative writing, with refreshed references and new discussions of cognitive approaches to narrative, nonfiction, and narrative emotions.
出版日期Book 2015Latest edition
關(guān)鍵詞Narrative; narrative form; narrative techniques; formal analysis; narratology; narrative theory; bibliogra
版次2
doihttps://doi.org/10.1057/9781137439598
isbn_softcover978-1-137-43958-1
isbn_ebook978-1-137-43959-8
copyrightThe Editor(s) (if applicable) and The Author(s) 2015
The information of publication is updating

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978-1-137-43958-1The Editor(s) (if applicable) and The Author(s) 2015
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Fictional Worlds and Fictionality,heorists. Perhaps the most well-known statements in Philip Sidney’s . (..15 79–80). are those in which Sidney claims that ., the fiction of poets, constructs an alternative world. While practitioners of all the arts (by which Sidney means disciplines) are based on ‘the works of nature,’
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Major Approaches to and Theorists of Narrative,es primacy to the documentary nature of narrative and clearly leaves out fiction. For narrative as fiction, the . offers ‘[a]n account or narration; a history, tale, story, recital (of facts, etc.),’ which brings in oral narration and several examples of narratives real and fictitious. Finally, the
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People on Paper: Character, Characterization, and Represented Minds,thout them. The benefit of temporarily isolating characters from their story-matrix lies in the observations that can be made about how writers build out of descriptive, illustrative, and demonstrative passages their invitations to imagine the people who populate story worlds. Some narratives emphas
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