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Titlebook: Narration as Argument; Paula Olmos Book 2017 Springer International Publishing AG 2017 Narratives, Narrating, Narrators.Narratives in Argu

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21#
發(fā)表于 2025-3-25 05:02:47 | 只看該作者
Narratives and the Concept of Argumentestablished tradition of argument, with set understandings of the key concept, into which narratives must fit if they are to be deemed arguments or argumentative. Another approach is to revisit the nature of argument itself so that traditional conditions are not imposed on any new forms. Doing this
22#
發(fā)表于 2025-3-25 08:45:27 | 只看該作者
Arguing with Storiesies where the story invites the hearer to infer an important claim of the argument. Case Based Reasoning in Law has many similar features: the current case is compared to previously decided cases, and in case the similarity between the previous and current cases is deemed sufficient, a similar concl
23#
發(fā)表于 2025-3-25 11:53:37 | 只看該作者
Narrative Fiction as a Source of Knowledgege –and not merely belief– in a way that depends crucially on their being fictional) that I and others have provided in earlier publications. Central to that defense is a refinement of Aristotle’s idea of successful dramas as unfolding with “internal necessity”, in light of which I distinguish those
24#
發(fā)表于 2025-3-25 16:30:59 | 只看該作者
25#
發(fā)表于 2025-3-25 20:01:25 | 只看該作者
Parables: Crossroads Between the Cognitive Theory of Metaphor and Argumentation Theoryutionary purpose, meaning that they typically aim to convey a moral or spiritual teaching. This meaning is an indirect meaning, in the sense that it is inferred under structural and contextual constraints. Two kinds of parables are analyzed: conventional parables, such as the religious parables of t
26#
發(fā)表于 2025-3-26 00:53:10 | 只看該作者
27#
發(fā)表于 2025-3-26 04:45:23 | 只看該作者
The Sample Convention, or, When Fictionalized Narratives Can Double as Historical Testimonytten by people who have experienced the atrocities and trials that they give account of but who represent the historical realities not in a directly factographic mode (that is, not as memoirs or autobiographies) but with the use of what Dorrit Cohn has termed “the signposts of fictionality.” The pro
28#
發(fā)表于 2025-3-26 09:12:11 | 只看該作者
29#
發(fā)表于 2025-3-26 14:29:12 | 只看該作者
Narrative as Argument in Atul Gawande’s “On Washing Hands” and “Letting Go”n so and so must be the causes), and its tendency to develop inadequate analogies or to overgeneralize from single cases. The essay contends that, while some uses of narrative as argument display these problems, they are not inherent in narrative itself. It offers warrants for that contention by (a)
30#
發(fā)表于 2025-3-26 20:16:03 | 只看該作者
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