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Titlebook: Narrating the Global Financial Crisis; Urban Imaginaries an Miriam Meissner Book 2017 The Editor(s) (if applicable) and The Author(s) 2017

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發(fā)表于 2025-3-21 18:34:18 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Narrating the Global Financial Crisis
副標(biāo)題Urban Imaginaries an
編輯Miriam Meissner
視頻videohttp://file.papertrans.cn/662/661226/661226.mp4
概述Examines how specific urban spaces, infrastructures and aesthetics recur in a variety of contemporary crisis films, documentaries, novels and journalistic photography..Maps narrative tropes that shape
叢書名稱Palgrave Studies in Globalization, Culture and Society
圖書封面Titlebook: Narrating the Global Financial Crisis; Urban Imaginaries an Miriam Meissner Book 2017 The Editor(s) (if applicable) and The Author(s) 2017
描述.This book analyzes how the Global Financial Crisis is portrayed in contemporary popular culture, using examples from film, literature and photography. In particular, the book explores why particular urban spaces, infrastructures and aesthetics – such as skyline shots in the opening credits of financial crisis films – recur in contemporary crisis narratives. Why are cities and finance connected in the cultural imaginary? Which ideologies do urban crisis imaginaries communicate? How do these imaginaries relate to the notion of crisis??To consider these questions, the book reads crisis narratives through the lens of myth. It combines perspectives from cultural, media and communication studies, anthropology, philosophy, geography and political economy to argue that the concept of myth can offer new and nuanced insights into the structure and politics of popular financial crisis imaginaries.?In so doing, the book also asks if, how and under what conditions urban crisis imaginaries open up or foreclose systematic and political understandings of the Global Financial Crisis as a symptom of the broader process of financialization.?.
出版日期Book 2017
關(guān)鍵詞global financial crisis; media coverage; films; documentaries; novels; photographs; graphics; global scope;
版次1
doihttps://doi.org/10.1007/978-3-319-45411-5
isbn_softcover978-3-319-83286-9
isbn_ebook978-3-319-45411-5Series ISSN 2730-9282 Series E-ISSN 2730-9290
issn_series 2730-9282
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
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發(fā)表于 2025-3-21 20:27:11 | 只看該作者
Palgrave Studies in Globalization, Culture and Societyhttp://image.papertrans.cn/n/image/661226.jpg
板凳
發(fā)表于 2025-3-22 03:13:39 | 只看該作者
https://doi.org/10.1007/978-3-319-45411-5global financial crisis; media coverage; films; documentaries; novels; photographs; graphics; global scope;
地板
發(fā)表于 2025-3-22 08:04:03 | 只看該作者
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發(fā)表于 2025-3-22 09:05:54 | 只看該作者
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發(fā)表于 2025-3-22 14:45:45 | 只看該作者
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發(fā)表于 2025-3-22 19:29:13 | 只看該作者
Figuring Flows: Urban Transport Myths of Trading,es, digital trading and its global flows. On the other hand, however, these “transport myths” reduce the underlying assets and destructive effects of financial speculation to the simplistic trope of sacrificial human bodies.
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發(fā)表于 2025-3-23 00:22:21 | 只看該作者
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發(fā)表于 2025-3-23 04:47:52 | 只看該作者
Conclusion: Financialization, Spectral Absence and the Politics of Myth,h the crisis is construed, others succeed in indicating their own “spectral absences”. The concept of “spectral absence” thus provides a key to assessing the politics of myth in the context of GFC narratives.
10#
發(fā)表于 2025-3-23 06:01:35 | 只看該作者
Mythical Crisis Perspectives,ude Lévi-Strauss’ structural theory and Roland Barthes’ semiotic theory of myth, which will be crucial to the analysis of urban crisis imaginaries. To illustrate how a “mythical reading” opens up productive ways of understanding popular crisis imaginaries, the chapter examines a scene from Oliver Stone’s financial crisis blockbuster film . (2010).
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