Titlebook: Narrating Class in American Fiction; William Dow Book 2009 William Dow 2009 America.body.corpus.design.fiction.god.history.history of lite

estrange

書目名稱Narrating Class in American Fiction影響因子(影響力)




書目名稱Narrating Class in American Fiction影響因子(影響力)學(xué)科排名




書目名稱Narrating Class in American Fiction網(wǎng)絡(luò)公開度




書目名稱Narrating Class in American Fiction網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Narrating Class in American Fiction被引頻次




書目名稱Narrating Class in American Fiction被引頻次學(xué)科排名




書目名稱Narrating Class in American Fiction年度引用




書目名稱Narrating Class in American Fiction年度引用學(xué)科排名




書目名稱Narrating Class in American Fiction讀者反饋




書目名稱Narrating Class in American Fiction讀者反饋學(xué)科排名

vibrant

Book 2009Focusing on American fiction from 1850-1940, Narrating Class in American Fiction offers close readings in the context of literary and political history to detail the uneasy attention American authors gave to class in their production of social identities.

condone

https://doi.org/10.1057/9780230617964America; body; corpus; design; fiction; god; history; history of literature; political history; truth; William

GRILL

營養(yǎng)

esoteric

Nmda-Receptor

ALERT

青春期

窗簾等

,Meridel Le Sueur’s ,: “A Movement Up Which All Are Moving”,nificant as its experience. Whitman, Davis, London, and Toomer all insist that the relationship between the reader and the laboring and poor masses must be other than one of mere witnessing. Particularly in their narratively performative forms, they all emphasized the need for blurring the divisions