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Titlebook: Musical Creativity; Strategies and Tools Guerino Mazzola,Joomi Park,Florian Thalmann Textbook 2011 Springer-Verlag Berlin Heidelberg 2011 c

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發(fā)表于 2025-3-21 18:15:22 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Musical Creativity
副標(biāo)題Strategies and Tools
編輯Guerino Mazzola,Joomi Park,Florian Thalmann
視頻videohttp://file.papertrans.cn/642/641548/641548.mp4
概述Represents a new approach to musical creativity, dealing with software and the semiotics and mathematical principles of creativity processes.Supported throughout with musical score examples, and the a
叢書(shū)名稱Computational Music Science
圖書(shū)封面Titlebook: Musical Creativity; Strategies and Tools Guerino Mazzola,Joomi Park,Florian Thalmann Textbook 2011 Springer-Verlag Berlin Heidelberg 2011 c
描述.This book represents a new approach to musical creativity, dealing with the semiotics, mathematical principles, and software for creativity processes..After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using musical instruments and music software. The second, theoretical part deals with historical, actual, and new principles of creative processes in music, based on the results and methods developed in the first author’s book Topos of Music and referring to semiotics, predicative objects, topos theory, and object-oriented concept architectures. The third part of the book details four case studies in musical creativity, including an analysis of the six variations of Beethoven‘s sonata op. 109, a discussion of the creative process in a CD coproduced in 2011 by the first and second authors, a recomposition of Boulez’s "Structures pour deux pianos" using the Rubato software module BigBang developed by the third author, and the Escher theorem from mathematical gesture theory in music..This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, a
出版日期Textbook 2011
關(guān)鍵詞composition; creativity; improvisation; mathematical music theory; music technology; semiotics; topos of m
版次1
doihttps://doi.org/10.1007/978-3-642-24517-6
isbn_softcover978-3-662-50864-0
isbn_ebook978-3-642-24517-6Series ISSN 1868-0305 Series E-ISSN 1868-0313
issn_series 1868-0305
copyrightSpringer-Verlag Berlin Heidelberg 2011
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:39:44 | 只看該作者
Textbook 2011..After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using musical instruments and music software. The second, theoretical part deals with historical, actual, and new principles of creative processes in music,
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發(fā)表于 2025-3-22 01:34:18 | 只看該作者
1868-0305 eveloped by the third author, and the Escher theorem from mathematical gesture theory in music..This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, a978-3-662-50864-0978-3-642-24517-6Series ISSN 1868-0305 Series E-ISSN 1868-0313
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發(fā)表于 2025-3-22 08:22:13 | 只看該作者
Textbook 2011ition of Boulez’s "Structures pour deux pianos" using the Rubato software module BigBang developed by the third author, and the Escher theorem from mathematical gesture theory in music..This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, a
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發(fā)表于 2025-3-22 10:33:38 | 只看該作者
Computational Music Sciencehttp://image.papertrans.cn/n/image/641548.jpg
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發(fā)表于 2025-3-22 14:53:43 | 只看該作者
https://doi.org/10.1007/978-3-642-24517-6composition; creativity; improvisation; mathematical music theory; music technology; semiotics; topos of m
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發(fā)表于 2025-3-22 18:22:33 | 只看該作者
Guerino Mazzola,Joomi Park,Florian ThalmannRepresents a new approach to musical creativity, dealing with software and the semiotics and mathematical principles of creativity processes.Supported throughout with musical score examples, and the a
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發(fā)表于 2025-3-22 22:22:47 | 只看該作者
978-3-662-50864-0Springer-Verlag Berlin Heidelberg 2011
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