書(shū)目名稱(chēng) | Music, Youth and International Links in Post-War British Fascism | 副標(biāo)題 | The Transformation o | 編輯 | Ryan Shaffer | 視頻video | http://file.papertrans.cn/642/641545/641545.mp4 | 概述 | Traces the evolution of post-war fascism in the UK into an international movement.Utilises a range of interviews with key figures within the movement.Examines how music became a conduit for the fascis | 叢書(shū)名稱(chēng) | Palgrave Studies in the History of Subcultures and Popular Music | 圖書(shū)封面 |  | 描述 | This book examines the domestic evolution and international connections of post-war?fascists in the UK. It argues that post-war British fascism became transnational as the radicals?increasingly exchanged ideas, money and culture with like-minded foreigners. Using interviews?with key figures in several countries, this book traces the history of the National Front (NF) and?British National Party (BNP), focusing on the political parties’ youth, music and international?outreach. It explores how British fascism grew into an international movement, how fascist?youth developed skinhead music as a conduit for their ideas, and how some of those key?figures made international connections with people in Iraq, Libya, Syria and the United States.?Moreover, it also draws from rare internal party documents, law enforcement records and?membership lists to track foreign funding and the parties’ domestic electoral growth. For the?first time, this book gained access to both the leadership and rank-and-file of the BNP and NF?to explore its culture and international connections. In doing so, it shows the successes, failures?and changes that have made British fascism a force in the international extremi | 出版日期 | Book 2017 | 關(guān)鍵詞 | National Front; British National Party; extreme politics; subcultures; political ideologies | 版次 | 1 | doi | https://doi.org/10.1007/978-3-319-59668-6 | isbn_softcover | 978-3-319-86675-8 | isbn_ebook | 978-3-319-59668-6Series ISSN 2730-9517 Series E-ISSN 2730-9525 | issn_series | 2730-9517 | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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