| 書(shū)目名稱(chēng) | Music in Films about the Shoah |
| 副標(biāo)題 | Commemoration, Comfo |
| 編輯 | Elias Berner |
| 視頻video | http://file.papertrans.cn/642/641520/641520.mp4 |
| 概述 | Offers a musicological contribution to the interdisciplinary discourse on holocaust memory in popular media.Examines music in films as mediator of time.Combines detailed analysis of music and sound in |
| 叢書(shū)名稱(chēng) | Palgrave Studies in Audio-Visual Culture |
| 圖書(shū)封面 |  |
| 描述 | This book focuses on the aural and musical sphere of fictional audio-visual reconstructions of the Holocaust, a defining event in the history of the 20th century. Musicology has seen an increasing number of works on the function of film music and the construction of identity in media contexts in recent years. This project analyses the use of music in feature films about the Shoah. The analysis of ‘the sound of Nazi violence‘, as well as the escape from and resistance against it, not only reveals a lot about the construction of the filmic characters‘ emotive states, but also tells us more about our own relationship to the past. The author understands the soundtrack of these films as an affective mediator of time, which connects filmic representations of the past with the present. Analysis focuses on the soundtracks of four films:?.Schindler‘s List.,?.The Pianist.,?.Taking Sides?.and?.Inglourious Basterds..? |
| 出版日期 | Book 2024 |
| 關(guān)鍵詞 | Cultural Memory; Holocaust; Audio-visual culture; Film; Schindler‘s List; Inglorious Basterds; Musicology |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-031-46197-2 |
| isbn_softcover | 978-3-031-46199-6 |
| isbn_ebook | 978-3-031-46197-2Series ISSN 2634-6354 Series E-ISSN 2634-6362 |
| issn_series | 2634-6354 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
|Archiver|手機(jī)版|小黑屋|
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