| 書目名稱 | Music and the Cultural Production of Scale | | 編輯 | Phil Dodds | | 視頻video | http://file.papertrans.cn/642/641510/641510.mp4 | | 概述 | Highlights the role of arts and culture in the making of geographical scale.Analyses how music has imposed, normalised or contested a range of politicised scalar relations.Discusses examples ranging f | | 圖書封面 |  | | 描述 | .This open access book?shows how geographical scales are made through music..Scales are sets of spatial frames, abstractions or categories that denote the size, proportion, level, extent or hierarchical relations of phenomena. They are neither natural nor neutral but actively produced, with real political effects. But what role do cultural practices play in the production of scale?..Phil Dodds addresses this question by focusing on music, arguing that music scholarship has both most to gain from and most to offer to a fuller conceptualisation of how geographical scale is culturally produced. Dodds suggests that music scholars should treat scales as open questions, and as phenomena potentially made through. .musical practices, rather than as stable categories for framing other arguments about, say, ‘local’ or ‘global’ music. He analyses how the meaning of ‘the local’ is affected by the aesthetics of popular music, and how the relationship between the particularand the general is fused through common musical conventions...Music and the Cultural Production of Scale .explores diverse musical examples – including Janelle Monáe’s concept albums, key tracks in the grime genre, protest son | | 出版日期 | Book‘‘‘‘‘‘‘‘ 2023 | | 關(guān)鍵詞 | Music; Popular Music; Human Geography; Geographic Scale; Local; Global; Musical Colonization; Open Access | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-36283-5 | | isbn_ebook | 978-3-031-36283-5 | | copyright | The Editor(s) (if applicable) and The Author(s) 2023 |
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