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Titlebook: Motion Pictures and the Image of the City; A Documentary Interp Xiaofei Hao Book 2016 The Editor(s) (if applicable) and The Author(s), unde

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發(fā)表于 2025-3-21 16:14:19 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Motion Pictures and the Image of the City
副標題A Documentary Interp
編輯Xiaofei Hao
視頻videohttp://file.papertrans.cn/640/639547/639547.mp4
概述A work in film studies
叢書名稱Film und Bewegtbild in Kultur und Gesellschaft
圖書封面Titlebook: Motion Pictures and the Image of the City; A Documentary Interp Xiaofei Hao Book 2016 The Editor(s) (if applicable) and The Author(s), unde
描述If you’ve ever had a special attachment to a film, and also an attachment to the city it was shot in, Xiaofei Haos book will give you a fresh eye on how the city is expressed in the film by the filmmaker. From the perspective of social science, each face of the city in a film comes from a choice – shown only on the basis of the filmmakers’ selection criteria. In this process, the film becomes the cognitive map of that city. The interweaving of the city space and film language will be elaborated first from the perspective of urban studies. Then some viewpoints of tourism studies will be provided to explore the relation between the image of the city in the film and in reality. Two films about the city Taipei are looked at as case studies: A One and a Two (Yi Yi, Director Edward Yang, 2000) and Au Revoir Taipei (Director Arvin Chen, 2010).
出版日期Book 2016
關鍵詞Cinematic city; Film tourism; Destination image; Tourist imaginaries; Taipei; Place attachment
版次1
doihttps://doi.org/10.1007/978-3-658-14340-4
isbn_softcover978-3-658-14339-8
isbn_ebook978-3-658-14340-4Series ISSN 2524-3020 Series E-ISSN 2524-3039
issn_series 2524-3020
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Fachmedien Wies
The information of publication is updating

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Book 2016ow the city is expressed in the film by the filmmaker. From the perspective of social science, each face of the city in a film comes from a choice – shown only on the basis of the filmmakers’ selection criteria. In this process, the film becomes the cognitive map of that city. The interweaving of th
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Xiaofei HaoA work in film studies
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978-3-658-14339-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Fachmedien Wies
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