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Titlebook: Mondrian‘s Philosophy of Visual Rhythm; Phenomenology, Wittg Eiichi Tosaki Book 2017 Springer Science+Business Media B.V. 2017 Ancient Gree

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發(fā)表于 2025-3-21 18:37:46 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Mondrian‘s Philosophy of Visual Rhythm
副標(biāo)題Phenomenology, Wittg
編輯Eiichi Tosaki
視頻videohttp://file.papertrans.cn/639/638768/638768.mp4
概述First book-length work on a forgotten definition of rhythm as ‘schema’ or ‘composition’.New approach to visual rhythm, with references to Piet Mondrian’s theory of visual rhythm in Neoplastic painting
叢書名稱Sophia Studies in Cross-cultural Philosophy of Traditions and Cultures
圖書封面Titlebook: Mondrian‘s Philosophy of Visual Rhythm; Phenomenology, Wittg Eiichi Tosaki Book 2017 Springer Science+Business Media B.V. 2017 Ancient Gree
描述.This volume investigates the meaning of visual rhythm through Piet Mondrian’s unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as ‘stasis’ or ‘composition’ which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian’s neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian’s approach to visual rhythm was so?idiosyncratic?that his contribution to studies of visual rhythm is often under-recognize
出版日期Book 2017
關(guān)鍵詞Ancient Greek theories of rhythm; Eastern aesthetics; Gilles Deleuze; Husserlian phenomenology; Jastrow‘
版次1
doihttps://doi.org/10.1007/978-94-024-1198-0
isbn_softcover978-94-024-1507-0
isbn_ebook978-94-024-1198-0Series ISSN 2211-1107 Series E-ISSN 2211-1115
issn_series 2211-1107
copyrightSpringer Science+Business Media B.V. 2017
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Book 2017t. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian’s approach to visual rhythm was so?idiosyncratic?that his contribution to studies of visual rhythm is often under-recognize
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Book 2017of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as ‘stasis’ or ‘composition’ which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in t
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Book 2020 a fairly advanced stage but no trace of either was found in his family’s hasty departure from London after his untimely death...There is a general dearth of published material about Young, his thought and his life. His economic thought, apart from his views on growth theory and monetary economics,
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