| 書(shū)目名稱 | Modernism and Mimesis | | 編輯 | Stephen D. Dowden | | 視頻video | http://file.papertrans.cn/638/637741/637741.mp4 | | 概述 | First book to undertake unifying reassessment of modernist fiction, painting, music, and poetry..Offers a new way to think about the nature of mimesis in modernist production..Reorganizes the modernis | | 圖書(shū)封面 |  | | 描述 | .This book offers a bold new view of the way in which modernist fiction, painting,?music, and poetry are interlinked. Dowden shows that modernism, contrary to a?longstanding view, did not turn away from mimesis. Rather, modernism operates?according to a deepened understanding of what mimesis is and how it works,?which in turn occasions a fresh look at other related dimensions of the modernist?achievement. Modernism is neither “difficult” nor elitist. Instead, it trends toward?simplicity, directness, and common culture. Dowden argues that na?veté rather?than highbrow sophistication was for the modernists a key artistic principle. He?demonstrates that modernism, far from glorifying subjective creativity, directs?itself toward healing the split between subject and object. Mimesis closes this?gap by resolving representation into play and festivity..? ? ?. | | 出版日期 | Book 2020 | | 關(guān)鍵詞 | modernism; mimesis; james joyce; franz kafka; simplification and modernism; subjectivity | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-53134-8 | | isbn_softcover | 978-3-030-53136-2 | | isbn_ebook | 978-3-030-53134-8 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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