| 書目名稱 | Modern Acting | | 副標(biāo)題 | The Lost Chapter of | | 編輯 | Cynthia Baron | | 視頻video | http://file.papertrans.cn/637/636887/636887.mp4 | | 概述 | Tells the story of Modern acting long hidden by the mystique of Method acting.Highlights women’s key contributions to American film and theatre.Reveals Marlon Brando’s opposition to the Method and Ste | | 叢書名稱 | Palgrave Studies in Screen Industries and Performance | | 圖書封面 |  | | 描述 | Everyone has heard of Method acting . . . but what about Modern acting? This book makes the simple but radical proposal that we acknowledge the Modern acting principles that continue to guide actors’ work in the twenty-first century. Developments in modern drama and new stagecraft led Modern acting strategies to coalesce by the 1930s – and Hollywood’s new role as America’s primary performing arts provider ensured these techniques circulated widely as the migration of Broadway talent and the demands of sound cinema created a rich exchange of ideas among actors. ?.Decades after Strasberg’s death in 1982, he and his Method are still famous, while accounts of American acting tend to overlook the contributions of Modern acting teachers such as Josephine Dillon, Charles Jehlinger, and Sophie Rosenstein. Baron’s examination of acting manuals, workshop notes, and oral histories illustrates the shared vision of Modern acting that connects these little-known teachers to the landmark work of Stanislavsky. It reveals that Stella Adler, long associated with the Method, is best understood as a Modern acting teacher and that Modern acting, not Method, might be seen as central to American performi | | 出版日期 | Book 2016 | | 關(guān)鍵詞 | Method acting; American theatre; creative labor; screen performance; methods; stagecraft | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-40655-2 | | isbn_softcover | 978-1-349-68083-2 | | isbn_ebook | 978-1-137-40655-2Series ISSN 2946-2495 Series E-ISSN 2946-2509 | | issn_series | 2946-2495 | | copyright | The Editor(s) (if applicable) and The Author(s) 2016 |
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